Contents · 57 sections
- PROLOGUE10 min
- THE STORY — FIRST PERIOD — CHAPTER I5 min
- THE STORY — FIRST PERIOD — CHAPTER II9 min
- THE STORY — FIRST PERIOD — CHAPTER III13 min
- THE STORY — FIRST PERIOD — CHAPTER IV16 min
- THE STORY — FIRST PERIOD — CHAPTER V14 min
- THE STORY — FIRST PERIOD — CHAPTER VI21 min
- THE STORY — FIRST PERIOD — CHAPTER VII8 min
- THE STORY — FIRST PERIOD — CHAPTER VIII21 min
- THE STORY — FIRST PERIOD — CHAPTER IX12 min
- THE STORY — FIRST PERIOD — CHAPTER X22 min
- THE STORY — FIRST PERIOD — CHAPTER XI37 min
- THE STORY — FIRST PERIOD — CHAPTER XII21 min
- THE STORY — FIRST PERIOD — CHAPTER XIII11 min
- THE STORY — FIRST PERIOD — CHAPTER XIV16 min
- THE STORY — FIRST PERIOD — CHAPTER XV26 min
- THE STORY — FIRST PERIOD — CHAPTER XVI17 min
- THE STORY — FIRST PERIOD — CHAPTER XVII13 min
- THE STORY — FIRST PERIOD — CHAPTER XVIII13 min
- THE STORY — FIRST PERIOD — CHAPTER XIX10 min
- THE STORY — FIRST PERIOD — CHAPTER XX7 min
- THE STORY — FIRST PERIOD — CHAPTER XXI19 min
- THE STORY — FIRST PERIOD — CHAPTER XXII17 min
- THE STORY — FIRST PERIOD — CHAPTER XXIII22 min
- THE STORY — SECOND PERIOD. — FIRST NARRATIVE. — CHAPTER I21 min
- THE STORY — SECOND PERIOD. — FIRST NARRATIVE. — CHAPTER II20 min
- THE STORY — SECOND PERIOD. — FIRST NARRATIVE. — CHAPTER III19 min
- THE STORY — SECOND PERIOD. — FIRST NARRATIVE. — CHAPTER IV16 min
- THE STORY — SECOND PERIOD. — FIRST NARRATIVE. — CHAPTER V16 min
- THE STORY — SECOND PERIOD. — FIRST NARRATIVE. — CHAPTER VI3 min
- THE STORY — SECOND PERIOD. — FIRST NARRATIVE. — CHAPTER VII20 min
- THE STORY — SECOND PERIOD. — FIRST NARRATIVE. — CHAPTER VIII27 min
- THE STORY — SECOND PERIOD. — SECOND NARRATIVE. — CHAPTER I21 min
- THE STORY — SECOND PERIOD. — SECOND NARRATIVE. — CHAPTER II9 min
- THE STORY — SECOND PERIOD. — SECOND NARRATIVE. — CHAPTER III19 min
- THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER I9 min
- THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER II13 min
- THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER III15 min
- THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER IV28 min
- THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER V17 min
- THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER VI18 min
- THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER VII25 min
- THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER VIII25 min
- THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER IX28 min
- THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER X26 min
- THE STORY — SECOND PERIOD. — FOURTH NARRATIVE.67 min
- THE STORY — SECOND PERIOD. — FIFTH NARRATIVE. — CHAPTER I33 min
- THE STORY — SECOND PERIOD. — SIXTH NARRATIVE. — I1 min
- THE STORY — SECOND PERIOD. — SIXTH NARRATIVE. — II6 min
- THE STORY — SECOND PERIOD. — SIXTH NARRATIVE. — III5 min
- THE STORY — SECOND PERIOD. — SIXTH NARRATIVE. — IV4 min
- THE STORY — SECOND PERIOD. — SIXTH NARRATIVE. — V6 min
- THE STORY — SECOND PERIOD. — SEVENTH NARRATIVE.4 min
- THE STORY — SECOND PERIOD. — EIGHTH NARRATIVE.4 min
- EPILOGUE. — I2 min
- EPILOGUE. — II3 min
- EPILOGUE. — III7 min
The Moonstone · Wilkie Collins
THE STORY — SECOND PERIOD. — SIXTH NARRATIVE. — IV
Read online · About 4 minutesLate on the evening of Friday, the twenty-third of June (’forty-eight), Mr. Luker was surprised by a visit from Mr. Godfrey Ablewhite. He was more than surprised, when Mr. Godfrey produced the Moonstone. No such Diamond (according to Mr. Luker’s experience) was in the possession of any private person in Europe.
Mr. Godfrey Ablewhite had two modest proposals to make, in relation to this magnificent gem. First, Would Mr. Luker be so good as to buy it? Secondly, Would Mr. Luker (in default of seeing his way to the purchase) undertake to sell it on commission, and to pay a sum down, on the anticipated result?
Mr. Luker tested the Diamond, weighed the Diamond and estimated the value of the Diamond, before he answered a word. His estimate (allowing for the flaw in the stone) was thirty thousand pounds.
Having reached that result, Mr. Luker opened his lips, and put a question: “How did you come by this?” Only six words! But what volumes of meaning in them!
Mr. Godfrey Ablewhite began a story. Mr. Luker opened his lips again, and only said three words, this time. “That won’t do!”
Mr. Godfrey Ablewhite began another story. Mr. Luker wasted no more words on him. He got up, and rang the bell for the servant to show the gentleman out.
Upon this compulsion, Mr. Godfrey made an effort, and came out with a new and amended version of the affair, to the following effect.
After privately slipping the laudanum into your brandy and water, he wished you good-night, and went into his own room. It was the next room to yours; and the two had a door of communication between them. On entering his own room Mr. Godfrey (as he supposed) closed his door. His money troubles kept him awake. He sat, in his dressing-gown and slippers, for nearly an hour, thinking over his position. Just as he was preparing to get into bed, he heard you, talking to yourself, in your own room, and going to the door of communication, found that he had not shut it as he supposed.
He looked into your room to see what was the matter. He discovered you with the candle in your hand, just leaving your bedchamber. He heard you say to yourself, in a voice quite unlike your own voice, “How do I know? The Indians may be hidden in the house.”
Up to that time, he had simply supposed himself (in giving you the laudanum) to be helping to make you the victim of a harmless practical joke. It now occurred to him, that the laudanum had taken some effect on you, which had not been foreseen by the doctor, any more than by himself. In the fear of an accident happening he followed you softly to see what you would do.
He followed you to Miss Verinder’s sitting-room, and saw you go in. You left the door open. He looked through the crevice thus produced, between the door and the post, before he ventured into the room himself.
In that position, he not only detected you in taking the Diamond out of the drawer—he also detected Miss Verinder, silently watching you from her bedroom, through her open door. His own eyes satisfied him that she saw you take the Diamond, too.
Before you left the sitting-room again, you hesitated a little. Mr. Godfrey took advantage of this hesitation to get back again to his bedroom before you came out, and discovered him. He had barely got back, before you got back too. You saw him (as he supposes) just as he was passing through the door of communication. At any rate, you called to him in a strange, drowsy voice.
He came back to you. You looked at him in a dull sleepy way. You put the Diamond into his hand. You said to him, “Take it back, Godfrey, to your father’s bank. It’s safe there—it’s not safe here.” You turned away unsteadily, and put on your dressing-gown. You sat down in the large arm-chair in your room. You said, “I can’t take it back to the bank. My head’s like lead—and I can’t feel my feet under me.” Your head sank on the back of the chair—you heaved a heavy sigh—and you fell asleep.
Mr. Godfrey Ablewhite went back, with the Diamond, into his own room. His statement is, that he came to no conclusion, at that time—except that he would wait, and see what happened in the morning.
When the morning came, your language and conduct showed that you were absolutely ignorant of what you had said and done overnight. At the same time, Miss Verinder’s language and conduct showed that she was resolved to say nothing (in mercy to you) on her side. If Mr. Godfrey Ablewhite chose to keep the Diamond, he might do so with perfect impunity. The Moonstone stood between him and ruin. He put the Moonstone into his pocket.