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The Moonstone — THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER I

Wilkie Collins
Book PDF
Contents · 57 sections
  1. PROLOGUE10 min
  2. THE STORY — FIRST PERIOD — CHAPTER I5 min
  3. THE STORY — FIRST PERIOD — CHAPTER II9 min
  4. THE STORY — FIRST PERIOD — CHAPTER III13 min
  5. THE STORY — FIRST PERIOD — CHAPTER IV16 min
  6. THE STORY — FIRST PERIOD — CHAPTER V14 min
  7. THE STORY — FIRST PERIOD — CHAPTER VI21 min
  8. THE STORY — FIRST PERIOD — CHAPTER VII8 min
  9. THE STORY — FIRST PERIOD — CHAPTER VIII21 min
  10. THE STORY — FIRST PERIOD — CHAPTER IX12 min
  11. THE STORY — FIRST PERIOD — CHAPTER X22 min
  12. THE STORY — FIRST PERIOD — CHAPTER XI37 min
  13. THE STORY — FIRST PERIOD — CHAPTER XII21 min
  14. THE STORY — FIRST PERIOD — CHAPTER XIII11 min
  15. THE STORY — FIRST PERIOD — CHAPTER XIV16 min
  16. THE STORY — FIRST PERIOD — CHAPTER XV26 min
  17. THE STORY — FIRST PERIOD — CHAPTER XVI17 min
  18. THE STORY — FIRST PERIOD — CHAPTER XVII13 min
  19. THE STORY — FIRST PERIOD — CHAPTER XVIII13 min
  20. THE STORY — FIRST PERIOD — CHAPTER XIX10 min
  21. THE STORY — FIRST PERIOD — CHAPTER XX7 min
  22. THE STORY — FIRST PERIOD — CHAPTER XXI19 min
  23. THE STORY — FIRST PERIOD — CHAPTER XXII17 min
  24. THE STORY — FIRST PERIOD — CHAPTER XXIII22 min
  25. THE STORY — SECOND PERIOD. — FIRST NARRATIVE. — CHAPTER I21 min
  26. THE STORY — SECOND PERIOD. — FIRST NARRATIVE. — CHAPTER II20 min
  27. THE STORY — SECOND PERIOD. — FIRST NARRATIVE. — CHAPTER III19 min
  28. THE STORY — SECOND PERIOD. — FIRST NARRATIVE. — CHAPTER IV16 min
  29. THE STORY — SECOND PERIOD. — FIRST NARRATIVE. — CHAPTER V16 min
  30. THE STORY — SECOND PERIOD. — FIRST NARRATIVE. — CHAPTER VI3 min
  31. THE STORY — SECOND PERIOD. — FIRST NARRATIVE. — CHAPTER VII20 min
  32. THE STORY — SECOND PERIOD. — FIRST NARRATIVE. — CHAPTER VIII27 min
  33. THE STORY — SECOND PERIOD. — SECOND NARRATIVE. — CHAPTER I21 min
  34. THE STORY — SECOND PERIOD. — SECOND NARRATIVE. — CHAPTER II9 min
  35. THE STORY — SECOND PERIOD. — SECOND NARRATIVE. — CHAPTER III19 min
  36. THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER I9 min
  37. THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER II13 min
  38. THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER III15 min
  39. THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER IV28 min
  40. THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER V17 min
  41. THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER VI18 min
  42. THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER VII25 min
  43. THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER VIII25 min
  44. THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER IX28 min
  45. THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER X26 min
  46. THE STORY — SECOND PERIOD. — FOURTH NARRATIVE.67 min
  47. THE STORY — SECOND PERIOD. — FIFTH NARRATIVE. — CHAPTER I33 min
  48. THE STORY — SECOND PERIOD. — SIXTH NARRATIVE. — I1 min
  49. THE STORY — SECOND PERIOD. — SIXTH NARRATIVE. — II6 min
  50. THE STORY — SECOND PERIOD. — SIXTH NARRATIVE. — III5 min
  51. THE STORY — SECOND PERIOD. — SIXTH NARRATIVE. — IV4 min
  52. THE STORY — SECOND PERIOD. — SIXTH NARRATIVE. — V6 min
  53. THE STORY — SECOND PERIOD. — SEVENTH NARRATIVE.4 min
  54. THE STORY — SECOND PERIOD. — EIGHTH NARRATIVE.4 min
  55. EPILOGUE. — I2 min
  56. EPILOGUE. — II3 min
  57. EPILOGUE. — III7 min

The Moonstone · Wilkie Collins

THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER I

Read online · About 9 minutes

Contributed by Franklin Blake.

In the spring of the year eighteen hundred and forty-nine I was wandering in the East, and had then recently altered the travelling plans which I had laid out some months before, and which I had communicated to my lawyer and my banker in London.

This change made it necessary for me to send one of my servants to obtain my letters and remittances from the English consul in a certain city, which was no longer included as one of my resting-places in my new travelling scheme. The man was to join me again at an appointed place and time. An accident, for which he was not responsible, delayed him on his errand. For a week I and my people waited, encamped on the borders of a desert. At the end of that time the missing man made his appearance, with the money and the letters, at the entrance of my tent.

“I am afraid I bring you bad news, sir,” he said, and pointed to one of the letters, which had a mourning border round it, and the address on which was in the handwriting of Mr. Bruff.

I know nothing, in a case of this kind, so unendurable as suspense. The letter with the mourning border was the letter that I opened first.

It informed me that my father was dead, and that I was heir to his great fortune. The wealth which had thus fallen into my hands brought its responsibilities with it, and Mr. Bruff entreated me to lose no time in returning to England.

By daybreak the next morning, I was on my way back to my own country.

The picture presented of me, by my old friend Betteredge, at the time of my departure from England, is (as I think) a little overdrawn. He has, in his own quaint way, interpreted seriously one of his young mistress’s many satirical references to my foreign education; and has persuaded himself that he actually saw those French, German, and Italian sides to my character, which my lively cousin only professed to discover in jest, and which never had any real existence, except in our good Betteredge’s own brain. But, barring this drawback, I am bound to own that he has stated no more than the truth in representing me as wounded to the heart by Rachel’s treatment, and as leaving England in the first keenness of suffering caused by the bitterest disappointment of my life.

I went abroad, resolved—if change and absence could help me—to forget her. It is, I am persuaded, no true view of human nature which denies that change and absence do help a man under these circumstances; they force his attention away from the exclusive contemplation of his own sorrow. I never forgot her; but the pang of remembrance lost its worst bitterness, little by little, as time, distance, and novelty interposed themselves more and more effectually between Rachel and me.

On the other hand, it is no less certain that, with the act of turning homeward, the remedy which had gained its ground so steadily, began now, just as steadily, to drop back. The nearer I drew to the country which she inhabited, and to the prospect of seeing her again, the more irresistibly her influence began to recover its hold on me. On leaving England she was the last person in the world whose name I would have suffered to pass my lips. On returning to England, she was the first person I inquired after, when Mr. Bruff and I met again.

I was informed, of course, of all that had happened in my absence; in other words, of all that has been related here in continuation of Betteredge’s narrative—one circumstance only being excepted. Mr. Bruff did not, at that time, feel himself at liberty to inform me of the motives which had privately influenced Rachel and Godfrey Ablewhite in recalling the marriage promise, on either side. I troubled him with no embarrassing questions on this delicate subject. It was relief enough to me, after the jealous disappointment caused by hearing that she had ever contemplated being Godfrey’s wife, to know that reflection had convinced her of acting rashly, and that she had effected her own release from her marriage engagement.

Having heard the story of the past, my next inquiries (still inquiries after Rachel!) advanced naturally to the present time. Under whose care had she been placed after leaving Mr. Bruff’s house? and where was she living now?

She was living under the care of a widowed sister of the late Sir John Verinder—one Mrs. Merridew—whom her mother’s executors had requested to act as guardian, and who had accepted the proposal. They were reported to me as getting on together admirably well, and as being now established, for the season, in Mrs. Merridew’s house in Portland Place.

Half an hour after receiving this information, I was on my way to Portland Place—without having had the courage to own it to Mr. Bruff!

The man who answered the door was not sure whether Miss Verinder was at home or not. I sent him upstairs with my card, as the speediest way of setting the question at rest. The man came down again with an impenetrable face, and informed me that Miss Verinder was out.

I might have suspected other people of purposely denying themselves to me. But it was impossible to suspect Rachel. I left word that I would call again at six o’clock that evening.

At six o’clock I was informed for the second time that Miss Verinder was not at home. Had any message been left for me? No message had been left for me. Had Miss Verinder not received my card? The servant begged my pardon—Miss Verinder had received it.

The inference was too plain to be resisted. Rachel declined to see me.

On my side, I declined to be treated in this way, without making an attempt, at least, to discover a reason for it. I sent up my name to Mrs. Merridew, and requested her to favour me with a personal interview at any hour which it might be most convenient to her to name.

Mrs. Merridew made no difficulty about receiving me at once. I was shown into a comfortable little sitting-room, and found myself in the presence of a comfortable little elderly lady. She was so good as to feel great regret and much surprise, entirely on my account. She was at the same time, however, not in a position to offer me any explanation, or to press Rachel on a matter which appeared to relate to a question of private feeling alone. This was said over and over again, with a polite patience that nothing could tire; and this was all I gained by applying to Mrs. Merridew.

My last chance was to write to Rachel. My servant took a letter to her the next day, with strict instructions to wait for an answer.

The answer came back, literally in one sentence.

“Miss Verinder begs to decline entering into any correspondence with Mr. Franklin Blake.”

Fond as I was of her, I felt indignantly the insult offered to me in that reply. Mr. Bruff came in to speak to me on business, before I had recovered possession of myself. I dismissed the business on the spot, and laid the whole case before him. He proved to be as incapable of enlightening me as Mrs. Merridew herself. I asked him if any slander had been spoken of me in Rachel’s hearing. Mr. Bruff was not aware of any slander of which I was the object. Had she referred to me in any way while she was staying under Mr. Bruff’s roof? Never. Had she not so much as asked, during all my long absence, whether I was living or dead? No such question had ever passed her lips. I took out of my pocket-book the letter which poor Lady Verinder had written to me from Frizinghall, on the day when I left her house in Yorkshire. And I pointed Mr. Bruff’s attention to these two sentences in it:

“The valuable assistance which you rendered to the inquiry after the lost jewel is still an unpardoned offence, in the present dreadful state of Rachel’s mind. Moving blindfold in this matter, you have added to the burden of anxiety which she has had to bear, by innocently threatening her secret with discovery through your exertions.”

“Is it possible,” I asked, “that the feeling towards me which is there described, is as bitter as ever against me now?”

Mr. Bruff looked unaffectedly distressed.

“If you insist on an answer,” he said, “I own I can place no other interpretation on her conduct than that.”

I rang the bell, and directed my servant to pack my portmanteau, and to send out for a railway guide. Mr. Bruff asked, in astonishment, what I was going to do.

“I am going to Yorkshire,” I answered, “by the next train.”

“May I ask for what purpose?”

“Mr. Bruff, the assistance I innocently rendered to the inquiry after the Diamond was an unpardoned offence, in Rachel’s mind, nearly a year since; and it remains an unpardoned offence still. I won’t accept that position! I am determined to find out the secret of her silence towards her mother, and her enmity towards me. If time, pains, and money can do it, I will lay my hand on the thief who took the Moonstone!”

The worthy old gentleman attempted to remonstrate—to induce me to listen to reason—to do his duty towards me, in short. I was deaf to everything that he could urge. No earthly consideration would, at that moment, have shaken the resolution that was in me.

“I shall take up the inquiry again,” I went on, “at the point where I dropped it; and I shall follow it onwards, step by step, till I come to the present time. There are missing links in the evidence, as I left it, which Gabriel Betteredge can supply, and to Gabriel Betteredge I go!”

Towards sunset that evening I stood again on the well-remembered terrace, and looked once more at the peaceful old country house. The gardener was the first person whom I saw in the deserted grounds. He had left Betteredge, an hour since, sunning himself in the customary corner of the back yard. I knew it well; and I said I would go and seek him myself.

I walked round by the familiar paths and passages, and looked in at the open gate of the yard.

There he was—the dear old friend of the happy days that were never to come again—there he was in the old corner, on the old beehive chair, with his pipe in his mouth, and his Robinson Crusoe on his lap, and his two friends, the dogs, dozing on either side of him! In the position in which I stood, my shadow was projected in front of me by the last slanting rays of the sun. Either the dogs saw it, or their keen scent informed them of my approach; they started up with a growl. Starting in his turn, the old man quieted them by a word, and then shaded his failing eyes with his hand, and looked inquiringly at the figure at the gate.

My own eyes were full of tears. I was obliged to wait a moment before I could trust myself to speak to him.

Contents

StoryPDFThe MoonstoneWilkie Collins

The Moonstone

Wilkie Collins

  1. PROLOGUE10 min
  2. THE STORY — FIRST PERIOD — CHAPTER I5 min
  3. THE STORY — FIRST PERIOD — CHAPTER II9 min
  4. THE STORY — FIRST PERIOD — CHAPTER III13 min
  5. THE STORY — FIRST PERIOD — CHAPTER IV16 min
  6. THE STORY — FIRST PERIOD — CHAPTER V14 min
  7. THE STORY — FIRST PERIOD — CHAPTER VI21 min
  8. THE STORY — FIRST PERIOD — CHAPTER VII8 min
  9. THE STORY — FIRST PERIOD — CHAPTER VIII21 min
  10. THE STORY — FIRST PERIOD — CHAPTER IX12 min
  11. THE STORY — FIRST PERIOD — CHAPTER X22 min
  12. THE STORY — FIRST PERIOD — CHAPTER XI37 min
  13. THE STORY — FIRST PERIOD — CHAPTER XII21 min
  14. THE STORY — FIRST PERIOD — CHAPTER XIII11 min
  15. THE STORY — FIRST PERIOD — CHAPTER XIV16 min
  16. THE STORY — FIRST PERIOD — CHAPTER XV26 min
  17. THE STORY — FIRST PERIOD — CHAPTER XVI17 min
  18. THE STORY — FIRST PERIOD — CHAPTER XVII13 min
  19. THE STORY — FIRST PERIOD — CHAPTER XVIII13 min
  20. THE STORY — FIRST PERIOD — CHAPTER XIX10 min
  21. THE STORY — FIRST PERIOD — CHAPTER XX7 min
  22. THE STORY — FIRST PERIOD — CHAPTER XXI19 min
  23. THE STORY — FIRST PERIOD — CHAPTER XXII17 min
  24. THE STORY — FIRST PERIOD — CHAPTER XXIII22 min
  25. THE STORY — SECOND PERIOD. — FIRST NARRATIVE. — CHAPTER I21 min
  26. THE STORY — SECOND PERIOD. — FIRST NARRATIVE. — CHAPTER II20 min
  27. THE STORY — SECOND PERIOD. — FIRST NARRATIVE. — CHAPTER III19 min
  28. THE STORY — SECOND PERIOD. — FIRST NARRATIVE. — CHAPTER IV16 min
  29. THE STORY — SECOND PERIOD. — FIRST NARRATIVE. — CHAPTER V16 min
  30. THE STORY — SECOND PERIOD. — FIRST NARRATIVE. — CHAPTER VI3 min
  31. THE STORY — SECOND PERIOD. — FIRST NARRATIVE. — CHAPTER VII20 min
  32. THE STORY — SECOND PERIOD. — FIRST NARRATIVE. — CHAPTER VIII27 min
  33. THE STORY — SECOND PERIOD. — SECOND NARRATIVE. — CHAPTER I21 min
  34. THE STORY — SECOND PERIOD. — SECOND NARRATIVE. — CHAPTER II9 min
  35. THE STORY — SECOND PERIOD. — SECOND NARRATIVE. — CHAPTER III19 min
  36. THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER I9 min
  37. THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER II13 min
  38. THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER III15 min
  39. THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER IV28 min
  40. THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER V17 min
  41. THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER VI18 min
  42. THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER VII25 min
  43. THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER VIII25 min
  44. THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER IX28 min
  45. THE STORY — SECOND PERIOD. — THIRD NARRATIVE. — CHAPTER X26 min
  46. THE STORY — SECOND PERIOD. — FOURTH NARRATIVE.67 min
  47. THE STORY — SECOND PERIOD. — FIFTH NARRATIVE. — CHAPTER I33 min
  48. THE STORY — SECOND PERIOD. — SIXTH NARRATIVE. — I1 min
  49. THE STORY — SECOND PERIOD. — SIXTH NARRATIVE. — II6 min
  50. THE STORY — SECOND PERIOD. — SIXTH NARRATIVE. — III5 min
  51. THE STORY — SECOND PERIOD. — SIXTH NARRATIVE. — IV4 min
  52. THE STORY — SECOND PERIOD. — SIXTH NARRATIVE. — V6 min
  53. THE STORY — SECOND PERIOD. — SEVENTH NARRATIVE.4 min
  54. THE STORY — SECOND PERIOD. — EIGHTH NARRATIVE.4 min
  55. EPILOGUE. — I2 min
  56. EPILOGUE. — II3 min
  57. EPILOGUE. — III7 min
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