Contents · 61 sections
- BOOK FIRST. — CHAPTER I. THE GRAND HALL.24 min
- BOOK FIRST. — CHAPTER II. PIERRE GRINGOIRE.15 min
- BOOK FIRST. — CHAPTER III. MONSIEUR THE CARDINAL.12 min
- BOOK FIRST. — CHAPTER IV. MASTER JACQUES COPPENOLE.15 min
- BOOK FIRST. — CHAPTER V. QUASIMODO.11 min
- BOOK FIRST. — CHAPTER VI. ESMERALDA.4 min
- BOOK SECOND. — CHAPTER I. FROM CHARYBDIS TO SCYLLA.5 min
- BOOK SECOND. — CHAPTER II. THE PLACE DE GRÈVE.4 min
- BOOK SECOND. — CHAPTER III. KISSES FOR BLOWS.16 min
- BOOK SECOND. — CHAPTER IV. THE INCONVENIENCES OF FOLLOWING A PRETTY WOMAN THROUGH THE STREETS IN THE EVENING.7 min
- BOOK SECOND. — CHAPTER V. RESULT OF THE DANGERS.4 min
- BOOK SECOND. — CHAPTER VI. THE BROKEN JUG.31 min
- BOOK SECOND. — CHAPTER VII. A BRIDAL NIGHT.16 min
- BOOK THIRD. — CHAPTER I. NOTRE-DAME.14 min
- BOOK THIRD. — CHAPTER II. A BIRD’S-EYE VIEW OF PARIS.43 min
- BOOK FOURTH. — CHAPTER I. GOOD SOULS.6 min
- BOOK FOURTH. — CHAPTER II. CLAUDE FROLLO.9 min
- BOOK FOURTH. — CHAPTER III. IMMANIS PECORIS CUSTOS, IMMANIOR IPSE .13 min
- BOOK FOURTH. — CHAPTER IV. THE DOG AND HIS MASTER.2 min
- BOOK FOURTH. — CHAPTER V. MORE ABOUT CLAUDE FROLLO.12 min
- BOOK FOURTH. — CHAPTER VI. UNPOPULARITY.2 min
- BOOK FIFTH. — CHAPTER I. ABBAS BEATI MARTINI .17 min
- BOOK FIFTH. — CHAPTER II. THIS WILL KILL THAT.26 min
- BOOK SIXTH. — CHAPTER I. AN IMPARTIAL GLANCE AT THE ANCIENT MAGISTRACY.19 min
- BOOK SIXTH. — CHAPTER II. THE RAT-HOLE.8 min
- BOOK SIXTH. — CHAPTER III. HISTORY OF A LEAVENED CAKE OF MAIZE.35 min
- BOOK SIXTH. — CHAPTER IV. A TEAR FOR A DROP OF WATER.16 min
- BOOK SIXTH. — CHAPTER V. END OF THE STORY OF THE CAKE.2 min
- BOOK SEVENTH. — CHAPTER I. THE DANGER OF CONFIDING ONE’S SECRET TO A GOAT.24 min
- BOOK SEVENTH. — CHAPTER II. A PRIEST AND A PHILOSOPHER ARE TWO DIFFERENT THINGS.16 min
- BOOK SEVENTH. — CHAPTER III. THE BELLS.5 min
- BOOK SEVENTH. — CHAPTER IV. ἈΝÁΓΚΗ.22 min
- BOOK SEVENTH. — CHAPTER V. THE TWO MEN CLOTHED IN BLACK.10 min
- BOOK SEVENTH. — CHAPTER VI. THE EFFECT WHICH SEVEN OATHS IN THE OPEN AIR CAN PRODUCE.7 min
- BOOK SEVENTH. — CHAPTER VII. THE MYSTERIOUS MONK.13 min
- BOOK SEVENTH. — CHAPTER VIII. THE UTILITY OF WINDOWS WHICH OPEN ON THE RIVER.14 min
- BOOK EIGHTH. — CHAPTER I. THE CROWN CHANGED INTO A DRY LEAF.16 min
- BOOK EIGHTH. — CHAPTER II. CONTINUATION OF THE CROWN WHICH WAS CHANGED INTO A DRY LEAF.8 min
- BOOK EIGHTH. — CHAPTER III. END OF THE CROWN WHICH WAS TURNED INTO A DRY LEAF.5 min
- BOOK EIGHTH. — CHAPTER IV. LASCIATE OGNI SPERANZA —LEAVE ALL HOPE BEHIND, YE WHO ENTER HERE.25 min
- BOOK EIGHTH. — CHAPTER V. THE MOTHER.8 min
- BOOK EIGHTH. — CHAPTER VI. THREE HUMAN HEARTS DIFFERENTLY CONSTRUCTED.28 min
- BOOK NINTH. — CHAPTER I. DELIRIUM.20 min
- BOOK NINTH. — CHAPTER II. HUNCHBACKED, ONE EYED, LAME.7 min
- BOOK NINTH. — CHAPTER III. DEAF.5 min
- BOOK NINTH. — CHAPTER IV. EARTHENWARE AND CRYSTAL.18 min
- BOOK NINTH. — CHAPTER V. THE KEY TO THE RED DOOR.4 min
- BOOK NINTH. — CHAPTER VI. CONTINUATION OF THE KEY TO THE RED DOOR.5 min
- BOOK TENTH. — CHAPTER I. GRINGOIRE HAS MANY GOOD IDEAS IN SUCCESSION.—RUE DES BERNARDINS.16 min
- BOOK TENTH. — CHAPTER II. TURN VAGABOND.4 min
- BOOK TENTH. — CHAPTER III. LONG LIVE MIRTH.14 min
- BOOK TENTH. — CHAPTER IV. AN AWKWARD FRIEND.33 min
- BOOK TENTH. — CHAPTER V. THE RETREAT IN WHICH MONSIEUR LOUIS OF FRANCE SAYS HIS PRAYERS.51 min
- BOOK TENTH. — CHAPTER VI. LITTLE SWORD IN POCKET.2 min
- BOOK TENTH. — CHAPTER VII. CHATEAUPERS TO THE RESCUE.4 min
- BOOK ELEVENTH. — CHAPTER I. THE LITTLE SHOE.57 min
- BOOK ELEVENTH. — CHAPTER II. THE BEAUTIFUL CREATURE CLAD IN WHITE. (Dante.)16 min
- BOOK ELEVENTH. — CHAPTER III. THE MARRIAGE OF PHOEBUS.2 min
- BOOK ELEVENTH. — CHAPTER IV. THE MARRIAGE OF QUASIMODO.4 min
- BOOK ELEVENTH. — NOTE ADDED TO THE DEFINITIVE EDITION.7 min
- BOOK ELEVENTH. — FOOTNOTES:7 min
The Hunchback of Notre Dame · Victor Hugo
BOOK SECOND. — CHAPTER II. THE PLACE DE GRÈVE.
Read online · About 4 minutesThere remains to-day but a very imperceptible vestige of the Place de Grève, such as it existed then; it consists in the charming little turret, which occupies the angle north of the Place, and which, already enshrouded in the ignoble plaster which fills with paste the delicate lines of its sculpture, would soon have disappeared, perhaps submerged by that flood of new houses which so rapidly devours all the ancient façades of Paris.
The persons who, like ourselves, never cross the Place de Grève without casting a glance of pity and sympathy on that poor turret strangled between two hovels of the time of Louis XV., can easily reconstruct in their minds the aggregate of edifices to which it belonged, and find again entire in it the ancient Gothic place of the fifteenth century.
It was then, as it is to-day, an irregular trapezoid, bordered on one side by the quay, and on the other three by a series of lofty, narrow, and gloomy houses. By day, one could admire the variety of its edifices, all sculptured in stone or wood, and already presenting complete specimens of the different domestic architectures of the Middle Ages, running back from the fifteenth to the eleventh century, from the casement which had begun to dethrone the arch, to the Roman semicircle, which had been supplanted by the ogive, and which still occupies, below it, the first story of that ancient house de la Tour Roland, at the corner of the Place upon the Seine, on the side of the street with the Tannerie. At night, one could distinguish nothing of all that mass of buildings, except the black indentation of the roofs, unrolling their chain of acute angles round the place; for one of the radical differences between the cities of that time, and the cities of the present day, lay in the façades which looked upon the places and streets, and which were then gables. For the last two centuries the houses have been turned round.
In the centre of the eastern side of the Place, rose a heavy and hybrid construction, formed of three buildings placed in juxtaposition. It was called by three names which explain its history, its destination, and its architecture: “The House of the Dauphin,” because Charles V., when Dauphin, had inhabited it; “The Marchandise,” because it had served as town hall; and “The Pillared House” (domus ad piloria), because of a series of large pillars which sustained the three stories. The city found there all that is required for a city like Paris; a chapel in which to pray to God; a plaidoyer, or pleading room, in which to hold hearings, and to repel, at need, the King’s people; and under the roof, an arsenac full of artillery. For the bourgeois of Paris were aware that it is not sufficient to pray in every conjuncture, and to plead for the franchises of the city, and they had always in reserve, in the garret of the town hall, a few good rusty arquebuses. The Grève had then that sinister aspect which it preserves to-day from the execrable ideas which it awakens, and from the sombre town hall of Dominique Bocador, which has replaced the Pillared House. It must be admitted that a permanent gibbet and a pillory, “a justice and a ladder,” as they were called in that day, erected side by side in the centre of the pavement, contributed not a little to cause eyes to be turned away from that fatal place, where so many beings full of life and health have agonized; where, fifty years later, that fever of Saint Vallier was destined to have its birth, that terror of the scaffold, the most monstrous of all maladies because it comes not from God, but from man.
It is a consoling idea (let us remark in passing), to think that the death penalty, which three hundred years ago still encumbered with its iron wheels, its stone gibbets, and all its paraphernalia of torture, permanent and riveted to the pavement, the Grève, the Halles, the Place Dauphine, the Cross du Trahoir, the Marché aux Pourceaux, that hideous Montfaucon, the barrier des Sergents, the Place aux Chats, the Porte Saint-Denis, Champeaux, the Porte Baudets, the Porte Saint Jacques, without reckoning the innumerable ladders of the provosts, the bishop of the chapters, of the abbots, of the priors, who had the decree of life and death,—without reckoning the judicial drownings in the river Seine; it is consoling to-day, after having lost successively all the pieces of its armor, its luxury of torment, its penalty of imagination and fancy, its torture for which it reconstructed every five years a leather bed at the Grand Châtelet, that ancient suzerain of feudal society almost expunged from our laws and our cities, hunted from code to code, chased from place to place, has no longer, in our immense Paris, any more than a dishonored corner of the Grève,—than a miserable guillotine, furtive, uneasy, shameful, which seems always afraid of being caught in the act, so quickly does it disappear after having dealt its blow.