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The Hunchback of Notre Dame — BOOK NINTH. — CHAPTER VI. CONTINUATION OF THE KEY TO THE RED DOOR.

Victor Hugo
Book PDF
Contents · 61 sections
  1. BOOK FIRST. — CHAPTER I. THE GRAND HALL.24 min
  2. BOOK FIRST. — CHAPTER II. PIERRE GRINGOIRE.15 min
  3. BOOK FIRST. — CHAPTER III. MONSIEUR THE CARDINAL.12 min
  4. BOOK FIRST. — CHAPTER IV. MASTER JACQUES COPPENOLE.15 min
  5. BOOK FIRST. — CHAPTER V. QUASIMODO.11 min
  6. BOOK FIRST. — CHAPTER VI. ESMERALDA.4 min
  7. BOOK SECOND. — CHAPTER I. FROM CHARYBDIS TO SCYLLA.5 min
  8. BOOK SECOND. — CHAPTER II. THE PLACE DE GRÈVE.4 min
  9. BOOK SECOND. — CHAPTER III. KISSES FOR BLOWS.16 min
  10. BOOK SECOND. — CHAPTER IV. THE INCONVENIENCES OF FOLLOWING A PRETTY WOMAN THROUGH THE STREETS IN THE EVENING.7 min
  11. BOOK SECOND. — CHAPTER V. RESULT OF THE DANGERS.4 min
  12. BOOK SECOND. — CHAPTER VI. THE BROKEN JUG.31 min
  13. BOOK SECOND. — CHAPTER VII. A BRIDAL NIGHT.16 min
  14. BOOK THIRD. — CHAPTER I. NOTRE-DAME.14 min
  15. BOOK THIRD. — CHAPTER II. A BIRD’S-EYE VIEW OF PARIS.43 min
  16. BOOK FOURTH. — CHAPTER I. GOOD SOULS.6 min
  17. BOOK FOURTH. — CHAPTER II. CLAUDE FROLLO.9 min
  18. BOOK FOURTH. — CHAPTER III. IMMANIS PECORIS CUSTOS, IMMANIOR IPSE .13 min
  19. BOOK FOURTH. — CHAPTER IV. THE DOG AND HIS MASTER.2 min
  20. BOOK FOURTH. — CHAPTER V. MORE ABOUT CLAUDE FROLLO.12 min
  21. BOOK FOURTH. — CHAPTER VI. UNPOPULARITY.2 min
  22. BOOK FIFTH. — CHAPTER I. ABBAS BEATI MARTINI .17 min
  23. BOOK FIFTH. — CHAPTER II. THIS WILL KILL THAT.26 min
  24. BOOK SIXTH. — CHAPTER I. AN IMPARTIAL GLANCE AT THE ANCIENT MAGISTRACY.19 min
  25. BOOK SIXTH. — CHAPTER II. THE RAT-HOLE.8 min
  26. BOOK SIXTH. — CHAPTER III. HISTORY OF A LEAVENED CAKE OF MAIZE.35 min
  27. BOOK SIXTH. — CHAPTER IV. A TEAR FOR A DROP OF WATER.16 min
  28. BOOK SIXTH. — CHAPTER V. END OF THE STORY OF THE CAKE.2 min
  29. BOOK SEVENTH. — CHAPTER I. THE DANGER OF CONFIDING ONE’S SECRET TO A GOAT.24 min
  30. BOOK SEVENTH. — CHAPTER II. A PRIEST AND A PHILOSOPHER ARE TWO DIFFERENT THINGS.16 min
  31. BOOK SEVENTH. — CHAPTER III. THE BELLS.5 min
  32. BOOK SEVENTH. — CHAPTER IV. ἈΝÁΓΚΗ.22 min
  33. BOOK SEVENTH. — CHAPTER V. THE TWO MEN CLOTHED IN BLACK.10 min
  34. BOOK SEVENTH. — CHAPTER VI. THE EFFECT WHICH SEVEN OATHS IN THE OPEN AIR CAN PRODUCE.7 min
  35. BOOK SEVENTH. — CHAPTER VII. THE MYSTERIOUS MONK.13 min
  36. BOOK SEVENTH. — CHAPTER VIII. THE UTILITY OF WINDOWS WHICH OPEN ON THE RIVER.14 min
  37. BOOK EIGHTH. — CHAPTER I. THE CROWN CHANGED INTO A DRY LEAF.16 min
  38. BOOK EIGHTH. — CHAPTER II. CONTINUATION OF THE CROWN WHICH WAS CHANGED INTO A DRY LEAF.8 min
  39. BOOK EIGHTH. — CHAPTER III. END OF THE CROWN WHICH WAS TURNED INTO A DRY LEAF.5 min
  40. BOOK EIGHTH. — CHAPTER IV. LASCIATE OGNI SPERANZA —LEAVE ALL HOPE BEHIND, YE WHO ENTER HERE.25 min
  41. BOOK EIGHTH. — CHAPTER V. THE MOTHER.8 min
  42. BOOK EIGHTH. — CHAPTER VI. THREE HUMAN HEARTS DIFFERENTLY CONSTRUCTED.28 min
  43. BOOK NINTH. — CHAPTER I. DELIRIUM.20 min
  44. BOOK NINTH. — CHAPTER II. HUNCHBACKED, ONE EYED, LAME.7 min
  45. BOOK NINTH. — CHAPTER III. DEAF.5 min
  46. BOOK NINTH. — CHAPTER IV. EARTHENWARE AND CRYSTAL.18 min
  47. BOOK NINTH. — CHAPTER V. THE KEY TO THE RED DOOR.4 min
  48. BOOK NINTH. — CHAPTER VI. CONTINUATION OF THE KEY TO THE RED DOOR.5 min
  49. BOOK TENTH. — CHAPTER I. GRINGOIRE HAS MANY GOOD IDEAS IN SUCCESSION.—RUE DES BERNARDINS.16 min
  50. BOOK TENTH. — CHAPTER II. TURN VAGABOND.4 min
  51. BOOK TENTH. — CHAPTER III. LONG LIVE MIRTH.14 min
  52. BOOK TENTH. — CHAPTER IV. AN AWKWARD FRIEND.33 min
  53. BOOK TENTH. — CHAPTER V. THE RETREAT IN WHICH MONSIEUR LOUIS OF FRANCE SAYS HIS PRAYERS.51 min
  54. BOOK TENTH. — CHAPTER VI. LITTLE SWORD IN POCKET.2 min
  55. BOOK TENTH. — CHAPTER VII. CHATEAUPERS TO THE RESCUE.4 min
  56. BOOK ELEVENTH. — CHAPTER I. THE LITTLE SHOE.57 min
  57. BOOK ELEVENTH. — CHAPTER II. THE BEAUTIFUL CREATURE CLAD IN WHITE. (Dante.)16 min
  58. BOOK ELEVENTH. — CHAPTER III. THE MARRIAGE OF PHOEBUS.2 min
  59. BOOK ELEVENTH. — CHAPTER IV. THE MARRIAGE OF QUASIMODO.4 min
  60. BOOK ELEVENTH. — NOTE ADDED TO THE DEFINITIVE EDITION.7 min
  61. BOOK ELEVENTH. — FOOTNOTES:7 min

The Hunchback of Notre Dame · Victor Hugo

BOOK NINTH. — CHAPTER VI. CONTINUATION OF THE KEY TO THE RED DOOR.

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That night, la Esmeralda had fallen asleep in her cell, full of oblivion, of hope, and of sweet thoughts. She had already been asleep for some time, dreaming as always, of Phœbus, when it seemed to her that she heard a noise near her. She slept lightly and uneasily, the sleep of a bird; a mere nothing waked her. She opened her eyes. The night was very dark. Nevertheless, she saw a figure gazing at her through the window; a lamp lighted up this apparition. The moment that the figure saw that la Esmeralda had perceived it, it blew out the lamp. But the young girl had had time to catch a glimpse of it; her eyes closed again with terror.

“Oh!” she said in a faint voice, “the priest!”

All her past unhappiness came back to her like a flash of lightning. She fell back on her bed, chilled.

A moment later she felt a touch along her body which made her shudder so that she straightened herself up in a sitting posture, wide awake and furious.

The priest had just slipped in beside her. He encircled her with both arms.

She tried to scream and could not.

“Begone, monster! begone assassin!” she said, in a voice which was low and trembling with wrath and terror.

“Mercy! mercy!” murmured the priest, pressing his lips to her shoulder.

She seized his bald head by its remnant of hair and tried to thrust aside his kisses as though they had been bites.

“Mercy!” repeated the unfortunate man. “If you but knew what my love for you is! ’Tis fire, melted lead, a thousand daggers in my heart.”

She stopped his two arms with superhuman force.

“Let me go,” she said, “or I will spit in your face!”

He released her. “Vilify me, strike me, be malicious! Do what you will! But have mercy! love me!”

Then she struck him with the fury of a child. She made her beautiful hands stiff to bruise his face. “Begone, demon!”

“Love me! love me! pity!” cried the poor priest returning her blows with caresses.

All at once she felt him stronger than herself.

“There must be an end to this!” he said, gnashing his teeth.

She was conquered, palpitating in his arms, and in his power. She felt a wanton hand straying over her. She made a last effort, and began to cry: “Help! Help! A vampire! a vampire!”

Nothing came. Djali alone was awake and bleating with anguish.

“Hush!” said the panting priest.

All at once, as she struggled and crawled on the floor, the gypsy’s hand came in contact with something cold and metallic—it was Quasimodo’s whistle. She seized it with a convulsive hope, raised it to her lips and blew with all the strength that she had left. The whistle gave a clear, piercing sound.

“What is that?” said the priest.

Almost at the same instant he felt himself raised by a vigorous arm. The cell was dark; he could not distinguish clearly who it was that held him thus; but he heard teeth chattering with rage, and there was just sufficient light scattered among the gloom to allow him to see above his head the blade of a large knife.

The priest fancied that he perceived the form of Quasimodo. He assumed that it could be no one but he. He remembered to have stumbled, as he entered, over a bundle which was stretched across the door on the outside. But, as the newcomer did not utter a word, he knew not what to think. He flung himself on the arm which held the knife, crying: “Quasimodo!” He forgot, at that moment of distress, that Quasimodo was deaf.

In a twinkling, the priest was overthrown and a leaden knee rested on his breast.

From the angular imprint of that knee he recognized Quasimodo; but what was to be done? how could he make the other recognize him? the darkness rendered the deaf man blind.

He was lost. The young girl, pitiless as an enraged tigress, did not intervene to save him. The knife was approaching his head; the moment was critical. All at once, his adversary seemed stricken with hesitation.

“No blood on her!” he said in a dull voice.

It was, in fact, Quasimodo’s voice.

Then the priest felt a large hand dragging him feet first out of the cell; it was there that he was to die. Fortunately for him, the moon had risen a few moments before.

When they had passed through the door of the cell, its pale rays fell upon the priest’s countenance. Quasimodo looked him full in the face, a trembling seized him, and he released the priest and shrank back.

The gypsy, who had advanced to the threshold of her cell, beheld with surprise their roles abruptly changed. It was now the priest who menaced, Quasimodo who was the suppliant.

The priest, who was overwhelming the deaf man with gestures of wrath and reproach, made the latter a violent sign to retire.

The deaf man dropped his head, then he came and knelt at the gypsy’s door,—“Monseigneur,” he said, in a grave and resigned voice, “you shall do all that you please afterwards, but kill me first.”

So saying, he presented his knife to the priest. The priest, beside himself, was about to seize it. But the young girl was quicker than he; she wrenched the knife from Quasimodo’s hands and burst into a frantic laugh,—“Approach,” she said to the priest.

She held the blade high. The priest remained undecided.

She would certainly have struck him.

Then she added with a pitiless expression, well aware that she was about to pierce the priest’s heart with thousands of red-hot irons,—

“Ah! I know that Phœbus is not dead!”

The priest overturned Quasimodo on the floor with a kick, and, quivering with rage, darted back under the vault of the staircase.

When he was gone, Quasimodo picked up the whistle which had just saved the gypsy.

“It was getting rusty,” he said, as he handed it back to her; then he left her alone.

The young girl, deeply agitated by this violent scene, fell back exhausted on her bed, and began to sob and weep. Her horizon was becoming gloomy once more.

The priest had groped his way back to his cell.

It was settled. Dom Claude was jealous of Quasimodo!

He repeated with a thoughtful air his fatal words: “No one shall have her.”

Contents

StoryPDFThe Hunchback of Notre DameVictor Hugo

The Hunchback of Notre Dame

Victor Hugo

  1. BOOK FIRST. — CHAPTER I. THE GRAND HALL.24 min
  2. BOOK FIRST. — CHAPTER II. PIERRE GRINGOIRE.15 min
  3. BOOK FIRST. — CHAPTER III. MONSIEUR THE CARDINAL.12 min
  4. BOOK FIRST. — CHAPTER IV. MASTER JACQUES COPPENOLE.15 min
  5. BOOK FIRST. — CHAPTER V. QUASIMODO.11 min
  6. BOOK FIRST. — CHAPTER VI. ESMERALDA.4 min
  7. BOOK SECOND. — CHAPTER I. FROM CHARYBDIS TO SCYLLA.5 min
  8. BOOK SECOND. — CHAPTER II. THE PLACE DE GRÈVE.4 min
  9. BOOK SECOND. — CHAPTER III. KISSES FOR BLOWS.16 min
  10. BOOK SECOND. — CHAPTER IV. THE INCONVENIENCES OF FOLLOWING A PRETTY WOMAN THROUGH THE STREETS IN THE EVENING.7 min
  11. BOOK SECOND. — CHAPTER V. RESULT OF THE DANGERS.4 min
  12. BOOK SECOND. — CHAPTER VI. THE BROKEN JUG.31 min
  13. BOOK SECOND. — CHAPTER VII. A BRIDAL NIGHT.16 min
  14. BOOK THIRD. — CHAPTER I. NOTRE-DAME.14 min
  15. BOOK THIRD. — CHAPTER II. A BIRD’S-EYE VIEW OF PARIS.43 min
  16. BOOK FOURTH. — CHAPTER I. GOOD SOULS.6 min
  17. BOOK FOURTH. — CHAPTER II. CLAUDE FROLLO.9 min
  18. BOOK FOURTH. — CHAPTER III. IMMANIS PECORIS CUSTOS, IMMANIOR IPSE .13 min
  19. BOOK FOURTH. — CHAPTER IV. THE DOG AND HIS MASTER.2 min
  20. BOOK FOURTH. — CHAPTER V. MORE ABOUT CLAUDE FROLLO.12 min
  21. BOOK FOURTH. — CHAPTER VI. UNPOPULARITY.2 min
  22. BOOK FIFTH. — CHAPTER I. ABBAS BEATI MARTINI .17 min
  23. BOOK FIFTH. — CHAPTER II. THIS WILL KILL THAT.26 min
  24. BOOK SIXTH. — CHAPTER I. AN IMPARTIAL GLANCE AT THE ANCIENT MAGISTRACY.19 min
  25. BOOK SIXTH. — CHAPTER II. THE RAT-HOLE.8 min
  26. BOOK SIXTH. — CHAPTER III. HISTORY OF A LEAVENED CAKE OF MAIZE.35 min
  27. BOOK SIXTH. — CHAPTER IV. A TEAR FOR A DROP OF WATER.16 min
  28. BOOK SIXTH. — CHAPTER V. END OF THE STORY OF THE CAKE.2 min
  29. BOOK SEVENTH. — CHAPTER I. THE DANGER OF CONFIDING ONE’S SECRET TO A GOAT.24 min
  30. BOOK SEVENTH. — CHAPTER II. A PRIEST AND A PHILOSOPHER ARE TWO DIFFERENT THINGS.16 min
  31. BOOK SEVENTH. — CHAPTER III. THE BELLS.5 min
  32. BOOK SEVENTH. — CHAPTER IV. ἈΝÁΓΚΗ.22 min
  33. BOOK SEVENTH. — CHAPTER V. THE TWO MEN CLOTHED IN BLACK.10 min
  34. BOOK SEVENTH. — CHAPTER VI. THE EFFECT WHICH SEVEN OATHS IN THE OPEN AIR CAN PRODUCE.7 min
  35. BOOK SEVENTH. — CHAPTER VII. THE MYSTERIOUS MONK.13 min
  36. BOOK SEVENTH. — CHAPTER VIII. THE UTILITY OF WINDOWS WHICH OPEN ON THE RIVER.14 min
  37. BOOK EIGHTH. — CHAPTER I. THE CROWN CHANGED INTO A DRY LEAF.16 min
  38. BOOK EIGHTH. — CHAPTER II. CONTINUATION OF THE CROWN WHICH WAS CHANGED INTO A DRY LEAF.8 min
  39. BOOK EIGHTH. — CHAPTER III. END OF THE CROWN WHICH WAS TURNED INTO A DRY LEAF.5 min
  40. BOOK EIGHTH. — CHAPTER IV. LASCIATE OGNI SPERANZA —LEAVE ALL HOPE BEHIND, YE WHO ENTER HERE.25 min
  41. BOOK EIGHTH. — CHAPTER V. THE MOTHER.8 min
  42. BOOK EIGHTH. — CHAPTER VI. THREE HUMAN HEARTS DIFFERENTLY CONSTRUCTED.28 min
  43. BOOK NINTH. — CHAPTER I. DELIRIUM.20 min
  44. BOOK NINTH. — CHAPTER II. HUNCHBACKED, ONE EYED, LAME.7 min
  45. BOOK NINTH. — CHAPTER III. DEAF.5 min
  46. BOOK NINTH. — CHAPTER IV. EARTHENWARE AND CRYSTAL.18 min
  47. BOOK NINTH. — CHAPTER V. THE KEY TO THE RED DOOR.4 min
  48. BOOK NINTH. — CHAPTER VI. CONTINUATION OF THE KEY TO THE RED DOOR.5 min
  49. BOOK TENTH. — CHAPTER I. GRINGOIRE HAS MANY GOOD IDEAS IN SUCCESSION.—RUE DES BERNARDINS.16 min
  50. BOOK TENTH. — CHAPTER II. TURN VAGABOND.4 min
  51. BOOK TENTH. — CHAPTER III. LONG LIVE MIRTH.14 min
  52. BOOK TENTH. — CHAPTER IV. AN AWKWARD FRIEND.33 min
  53. BOOK TENTH. — CHAPTER V. THE RETREAT IN WHICH MONSIEUR LOUIS OF FRANCE SAYS HIS PRAYERS.51 min
  54. BOOK TENTH. — CHAPTER VI. LITTLE SWORD IN POCKET.2 min
  55. BOOK TENTH. — CHAPTER VII. CHATEAUPERS TO THE RESCUE.4 min
  56. BOOK ELEVENTH. — CHAPTER I. THE LITTLE SHOE.57 min
  57. BOOK ELEVENTH. — CHAPTER II. THE BEAUTIFUL CREATURE CLAD IN WHITE. (Dante.)16 min
  58. BOOK ELEVENTH. — CHAPTER III. THE MARRIAGE OF PHOEBUS.2 min
  59. BOOK ELEVENTH. — CHAPTER IV. THE MARRIAGE OF QUASIMODO.4 min
  60. BOOK ELEVENTH. — NOTE ADDED TO THE DEFINITIVE EDITION.7 min
  61. BOOK ELEVENTH. — FOOTNOTES:7 min
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