Contents · 59 sections
- First Epoch — Walter Hartright — Opening narrative2 min
- First Epoch — Walter Hartright — II7 min
- First Epoch — Walter Hartright — III17 min
- First Epoch — Walter Hartright — IV16 min
- First Epoch — Walter Hartright — V4 min
- First Epoch — Walter Hartright — VI14 min
- First Epoch — Walter Hartright — VII14 min
- First Epoch — Walter Hartright — VIII28 min
- First Epoch — Walter Hartright — IX10 min
- First Epoch — Walter Hartright — X16 min
- First Epoch — Walter Hartright — XI14 min
- First Epoch — Walter Hartright — XII16 min
- First Epoch — Walter Hartright — XIII27 min
- First Epoch — Walter Hartright — XIV14 min
- First Epoch — Walter Hartright — XV22 min
- First Epoch — Vincent Gilmore — I17 min
- First Epoch — Vincent Gilmore — II19 min
- First Epoch — Vincent Gilmore — III19 min
- First Epoch — Vincent Gilmore — IV9 min
- First Epoch — Marian Halcombe — Limmeridge House, November 832 min
- First Epoch — Marian Halcombe — II30 min
- Second Epoch — Marian Halcombe — I26 min
- Second Epoch — Marian Halcombe — II29 min
- Second Epoch — Marian Halcombe — III30 min
- Second Epoch — Marian Halcombe — IV26 min
- Second Epoch — Marian Halcombe — V19 min
- Second Epoch — Marian Halcombe — VI41 min
- Second Epoch — Marian Halcombe — VII27 min
- Second Epoch — Marian Halcombe — VIII24 min
- Second Epoch — Marian Halcombe — IX32 min
- Second Epoch — Marian Halcombe — X6 min
- Second Epoch — Frederick Fairlie’s narrative35 min
- Second Epoch — Eliza Michelson — I34 min
- Second Epoch — Eliza Michelson — II42 min
- Second Epoch — Hester Pinhorn’s narrative12 min
- Second Epoch — Narratives of the Doctor, Jane Gould, the Tombstone and Walter Hartright11 min
- Third Epoch — Walter Hartright — I5 min
- Third Epoch — Walter Hartright — II30 min
- Third Epoch — Walter Hartright — III16 min
- Third Epoch — Walter Hartright — IV22 min
- Third Epoch — Walter Hartright — V13 min
- Third Epoch — Walter Hartright — VI13 min
- Third Epoch — Walter Hartright — VII25 min
- Third Epoch — Walter Hartright — VIII25 min
- Third Epoch — Walter Hartright — IX23 min
- Third Epoch — Walter Hartright — X33 min
- Third Epoch — Walter Hartright — XI14 min
- Third Epoch — Mrs. Catherick’s narrative25 min
- Third Epoch — Walter Hartright continued — I7 min
- Third Epoch — Walter Hartright continued — II23 min
- Third Epoch — Walter Hartright continued — III13 min
- Third Epoch — Walter Hartright continued — IV12 min
- Third Epoch — Walter Hartright continued — V19 min
- Third Epoch — Walter Hartright continued — VI12 min
- Third Epoch — Walter Hartright continued — VII25 min
- Third Epoch — Count Fosco’s narrative26 min
- Third Epoch — Walter Hartright concludes — I14 min
- Third Epoch — Walter Hartright concludes — II9 min
- Third Epoch — Walter Hartright concludes — III4 min
The Woman in White · Wilkie Collins
Third Epoch — Walter Hartright concludes — III
Read online · About 4 minutesThe summer and autumn passed after my return from Paris, and brought no changes with them which need be noticed here. We lived so simply and quietly that the income which I was now steadily earning sufficed for all our wants.
In the February of the new year our first child was born—a son. My mother and sister and Mrs. Vesey were our guests at the little christening party, and Mrs. Clements was present to assist my wife on the same occasion. Marian was our boy’s godmother, and Pesca and Mr. Gilmore (the latter acting by proxy) were his godfathers. I may add here that when Mr. Gilmore returned to us a year later he assisted the design of these pages, at my request, by writing the Narrative which appears early in the story under his name, and which, though first in order of precedence, was thus, in order of time, the last that I received.
The only event in our lives which now remains to be recorded, occurred when our little Walter was six months old.
At that time I was sent to Ireland to make sketches for certain forthcoming illustrations in the newspaper to which I was attached. I was away for nearly a fortnight, corresponding regularly with my wife and Marian, except during the last three days of my absence, when my movements were too uncertain to enable me to receive letters. I performed the latter part of my journey back at night, and when I reached home in the morning, to my utter astonishment there was no one to receive me. Laura and Marian and the child had left the house on the day before my return.
A note from my wife, which was given to me by the servant, only increased my surprise, by informing me that they had gone to Limmeridge House. Marian had prohibited any attempt at written explanations—I was entreated to follow them the moment I came back—complete enlightenment awaited me on my arrival in Cumberland—and I was forbidden to feel the slightest anxiety in the meantime. There the note ended. It was still early enough to catch the morning train. I reached Limmeridge House the same afternoon.
My wife and Marian were both upstairs. They had established themselves (by way of completing my amazement) in the little room which had been once assigned to me for a studio, when I was employed on Mr. Fairlie’s drawings. On the very chair which I used to occupy when I was at work Marian was sitting now, with the child industriously sucking his coral upon her lap—while Laura was standing by the well-remembered drawing-table which I had so often used, with the little album that I had filled for her in past times open under her hand.
“What in the name of heaven has brought you here?” I asked. “Does Mr. Fairlie know——?”
Marian suspended the question on my lips by telling me that Mr. Fairlie was dead. He had been struck by paralysis, and had never rallied after the shock. Mr. Kyrle had informed them of his death, and had advised them to proceed immediately to Limmeridge House.
Some dim perception of a great change dawned on my mind. Laura spoke before I had quite realised it. She stole close to me to enjoy the surprise which was still expressed in my face.
“My darling Walter,” she said, “must we really account for our boldness in coming here? I am afraid, love, I can only explain it by breaking through our rule, and referring to the past.”
“There is not the least necessity for doing anything of the kind,” said Marian. “We can be just as explicit, and much more interesting, by referring to the future.” She rose and held up the child kicking and crowing in her arms. “Do you know who this is, Walter?” she asked, with bright tears of happiness gathering in her eyes.
“Even my bewilderment has its limits,” I replied. “I think I can still answer for knowing my own child.”
“Child!” she exclaimed, with all her easy gaiety of old times. “Do you talk in that familiar manner of one of the landed gentry of England? Are you aware, when I present this illustrious baby to your notice, in whose presence you stand? Evidently not! Let me make two eminent personages known to one another: Mr. Walter Hartright—the Heir of Limmeridge.”
So she spoke. In writing those last words, I have written all. The pen falters in my hand. The long, happy labour of many months is over. Marian was the good angel of our lives—let Marian end our Story.
The end.
You’ve reached the end of The Woman in White.