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Notes from Underground — PART I Underground — IV

Fyodor Dostoevsky
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Contents · 22 sections
  1. NOTES FROM THE UNDERGROUND[*] A NOVEL1 min
  2. PART I Underground — I6 min
  3. PART I Underground — II6 min
  4. PART I Underground — III8 min
  5. PART I Underground — IV3 min
  6. PART I Underground — V5 min
  7. PART I Underground — VI3 min
  8. PART I Underground — VII10 min
  9. PART I Underground — VIII9 min
  10. PART I Underground — IX6 min
  11. PART I Underground — X4 min
  12. PART I Underground — XI7 min
  13. PART II À Propos of the Wet Snow — I23 min
  14. PART II À Propos of the Wet Snow — II8 min
  15. PART II À Propos of the Wet Snow — III16 min
  16. PART II À Propos of the Wet Snow — IV16 min
  17. PART II À Propos of the Wet Snow — V9 min
  18. PART II À Propos of the Wet Snow — VI17 min
  19. PART II À Propos of the Wet Snow — VII14 min
  20. PART II À Propos of the Wet Snow — VIII18 min
  21. PART II À Propos of the Wet Snow — IX13 min
  22. PART II À Propos of the Wet Snow — X9 min

Notes from Underground · Fyodor Dostoevsky

PART I Underground — IV

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“Ha, ha, ha! You will be finding enjoyment in toothache next,” you cry, with a laugh.

“Well, even in toothache there is enjoyment,” I answer. I had toothache for a whole month and I know there is. In that case, of course, people are not spiteful in silence, but moan; but they are not candid moans, they are malignant moans, and the malignancy is the whole point. The enjoyment of the sufferer finds expression in those moans; if he did not feel enjoyment in them he would not moan. It is a good example, gentlemen, and I will develop it. Those moans express in the first place all the aimlessness of your pain, which is so humiliating to your consciousness; the whole legal system of nature on which you spit disdainfully, of course, but from which you suffer all the same while she does not. They express the consciousness that you have no enemy to punish, but that you have pain; the consciousness that in spite of all possible Wagenheims you are in complete slavery to your teeth; that if someone wishes it, your teeth will leave off aching, and if he does not, they will go on aching another three months; and that finally if you are still contumacious and still protest, all that is left you for your own gratification is to thrash yourself or beat your wall with your fist as hard as you can, and absolutely nothing more. Well, these mortal insults, these jeers on the part of someone unknown, end at last in an enjoyment which sometimes reaches the highest degree of voluptuousness. I ask you, gentlemen, listen sometimes to the moans of an educated man of the nineteenth century suffering from toothache, on the second or third day of the attack, when he is beginning to moan, not as he moaned on the first day, that is, not simply because he has toothache, not just as any coarse peasant, but as a man affected by progress and European civilisation, a man who is “divorced from the soil and the national elements,” as they express it now-a-days. His moans become nasty, disgustingly malignant, and go on for whole days and nights. And of course he knows himself that he is doing himself no sort of good with his moans; he knows better than anyone that he is only lacerating and harassing himself and others for nothing; he knows that even the audience before whom he is making his efforts, and his whole family, listen to him with loathing, do not put a ha’porth of faith in him, and inwardly understand that he might moan differently, more simply, without trills and flourishes, and that he is only amusing himself like that from ill-humour, from malignancy. Well, in all these recognitions and disgraces it is that there lies a voluptuous pleasure. As though he would say: “I am worrying you, I am lacerating your hearts, I am keeping everyone in the house awake. Well, stay awake then, you, too, feel every minute that I have toothache. I am not a hero to you now, as I tried to seem before, but simply a nasty person, an impostor. Well, so be it, then! I am very glad that you see through me. It is nasty for you to hear my despicable moans: well, let it be nasty; here I will let you have a nastier flourish in a minute....” You do not understand even now, gentlemen? No, it seems our development and our consciousness must go further to understand all the intricacies of this pleasure. You laugh? Delighted. My jests, gentlemen, are of course in bad taste, jerky, involved, lacking self-confidence. But of course that is because I do not respect myself. Can a man of perception respect himself at all?

Contents

Notes from Underground

Fyodor Dostoevsky

  1. NOTES FROM THE UNDERGROUND[*] A NOVEL1 min
  2. PART I Underground — I6 min
  3. PART I Underground — II6 min
  4. PART I Underground — III8 min
  5. PART I Underground — IV3 min
  6. PART I Underground — V5 min
  7. PART I Underground — VI3 min
  8. PART I Underground — VII10 min
  9. PART I Underground — VIII9 min
  10. PART I Underground — IX6 min
  11. PART I Underground — X4 min
  12. PART I Underground — XI7 min
  13. PART II À Propos of the Wet Snow — I23 min
  14. PART II À Propos of the Wet Snow — II8 min
  15. PART II À Propos of the Wet Snow — III16 min
  16. PART II À Propos of the Wet Snow — IV16 min
  17. PART II À Propos of the Wet Snow — V9 min
  18. PART II À Propos of the Wet Snow — VI17 min
  19. PART II À Propos of the Wet Snow — VII14 min
  20. PART II À Propos of the Wet Snow — VIII18 min
  21. PART II À Propos of the Wet Snow — IX13 min
  22. PART II À Propos of the Wet Snow — X9 min
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