Contents · 367 sections
- BOOK FIRST—A JUST MAN — CHAPTER I—M. MYRIEL5 min
- BOOK FIRST—A JUST MAN — CHAPTER II—M. MYRIEL BECOMES M. WELCOME8 min
- BOOK FIRST—A JUST MAN — CHAPTER III—A HARD BISHOPRIC FOR A GOOD BISHOP4 min
- BOOK FIRST—A JUST MAN — CHAPTER IV—WORKS CORRESPONDING TO WORDS14 min
- BOOK FIRST—A JUST MAN — CHAPTER V—MONSEIGNEUR BIENVENU MADE HIS CASSOCKS LAST TOO LONG5 min
- BOOK FIRST—A JUST MAN — CHAPTER VI—WHO GUARDED HIS HOUSE FOR HIM10 min
- BOOK FIRST—A JUST MAN — CHAPTER VII—CRAVATTE6 min
- BOOK FIRST—A JUST MAN — CHAPTER VIII—PHILOSOPHY AFTER DRINKING7 min
- BOOK FIRST—A JUST MAN — CHAPTER IX—THE BROTHER AS DEPICTED BY THE SISTER7 min
- BOOK FIRST—A JUST MAN — CHAPTER X—THE BISHOP IN THE PRESENCE OF AN UNKNOWN LIGHT22 min
- BOOK FIRST—A JUST MAN — CHAPTER XI—A RESTRICTION8 min
- BOOK FIRST—A JUST MAN — CHAPTER XII—THE SOLITUDE OF MONSEIGNEUR WELCOME6 min
- BOOK FIRST—A JUST MAN — CHAPTER XIII—WHAT HE BELIEVED8 min
- BOOK FIRST—A JUST MAN — CHAPTER XIV—WHAT HE THOUGHT5 min
- BOOK SECOND—THE FALL — CHAPTER I—THE EVENING OF A DAY OF WALKING20 min
- BOOK SECOND—THE FALL — CHAPTER II—PRUDENCE COUNSELLED TO WISDOM.7 min
- BOOK SECOND—THE FALL — CHAPTER III—THE HEROISM OF PASSIVE OBEDIENCE.10 min
- BOOK SECOND—THE FALL — CHAPTER IV—DETAILS CONCERNING THE CHEESE-DAIRIES OF PONTARLIER.7 min
- BOOK SECOND—THE FALL — CHAPTER V—TRANQUILLITY3 min
- BOOK SECOND—THE FALL — CHAPTER VI—JEAN VALJEAN10 min
- BOOK SECOND—THE FALL — CHAPTER VII—THE INTERIOR OF DESPAIR14 min
- BOOK SECOND—THE FALL — CHAPTER VIII—BILLOWS AND SHADOWS4 min
- BOOK SECOND—THE FALL — CHAPTER IX—NEW TROUBLES3 min
- BOOK SECOND—THE FALL — CHAPTER X—THE MAN AROUSED6 min
- BOOK SECOND—THE FALL — CHAPTER XI—WHAT HE DOES7 min
- BOOK SECOND—THE FALL — CHAPTER XII—THE BISHOP WORKS6 min
- BOOK SECOND—THE FALL — CHAPTER XIII—LITTLE GERVAIS16 min
- BOOK THIRD—IN THE YEAR 1817 — CHAPTER I—THE YEAR 181711 min
- BOOK THIRD—IN THE YEAR 1817 — CHAPTER II—A DOUBLE QUARTETTE8 min
- BOOK THIRD—IN THE YEAR 1817 — CHAPTER III—FOUR AND FOUR7 min
- BOOK THIRD—IN THE YEAR 1817 — CHAPTER IV—THOLOMYÈS IS SO MERRY THAT HE SINGS A SPANISH DITTY5 min
- BOOK THIRD—IN THE YEAR 1817 — CHAPTER V—AT BOMBARDA’S5 min
- BOOK THIRD—IN THE YEAR 1817 — CHAPTER VI—A CHAPTER IN WHICH THEY ADORE EACH OTHER3 min
- BOOK THIRD—IN THE YEAR 1817 — CHAPTER VII—THE WISDOM OF THOLOMYÈS10 min
- BOOK THIRD—IN THE YEAR 1817 — CHAPTER VIII—THE DEATH OF A HORSE4 min
- BOOK THIRD—IN THE YEAR 1817 — CHAPTER IX—A MERRY END TO MIRTH5 min
- BOOK FOURTH—TO CONFIDE IS SOMETIMES TO DELIVER INTO A PERSON’S POWER — CHAPTER I—ONE MOTHER MEETS ANOTHER MOTHER16 min
- BOOK FOURTH—TO CONFIDE IS SOMETIMES TO DELIVER INTO A PERSON’S POWER — CHAPTER II—FIRST SKETCH OF TWO UNPREPOSSESSING FIGURES4 min
- BOOK FOURTH—TO CONFIDE IS SOMETIMES TO DELIVER INTO A PERSON’S POWER — CHAPTER III—THE LARK5 min
- BOOK FIFTH—THE DESCENT — CHAPTER I—THE HISTORY OF A PROGRESS IN BLACK GLASS TRINKETS3 min
- BOOK FIFTH—THE DESCENT — CHAPTER II—MADELEINE7 min
- BOOK FIFTH—THE DESCENT — CHAPTER III—SUMS DEPOSITED WITH LAFFITTE6 min
- BOOK FIFTH—THE DESCENT — CHAPTER IV—M. MADELEINE IN MOURNING4 min
- BOOK FIFTH—THE DESCENT — CHAPTER V—VAGUE FLASHES ON THE HORIZON10 min
- BOOK FIFTH—THE DESCENT — CHAPTER VI—FATHER FAUCHELEVENT5 min
- BOOK FIFTH—THE DESCENT — CHAPTER VII—FAUCHELEVENT BECOMES A GARDENER IN PARIS2 min
- BOOK FIFTH—THE DESCENT — CHAPTER VIII—MADAME VICTURNIEN EXPENDS THIRTY FRANCS ON MORALITY5 min
- BOOK FIFTH—THE DESCENT — CHAPTER IX—MADAME VICTURNIEN’S SUCCESS5 min
- BOOK FIFTH—THE DESCENT — CHAPTER X—RESULT OF THE SUCCESS9 min
- BOOK FIFTH—THE DESCENT — CHAPTER XI—CHRISTUS NOS LIBERAVIT2 min
- BOOK FIFTH—THE DESCENT — CHAPTER XII—M. BAMATABOIS’S INACTIVITY5 min
- BOOK FIFTH—THE DESCENT — CHAPTER XIII—THE SOLUTION OF SOME QUESTIONS CONNECTED WITH THE MUNICIPAL POLICE18 min
- BOOK SIXTH—JAVERT — CHAPTER I—THE BEGINNING OF REPOSE6 min
- BOOK SIXTH—JAVERT — CHAPTER II—HOW JEAN MAY BECOME CHAMP15 min
- BOOK SEVENTH—THE CHAMPMATHIEU AFFAIR — CHAPTER I—SISTER SIMPLICE6 min
- BOOK SEVENTH—THE CHAMPMATHIEU AFFAIR — CHAPTER II—THE PERSPICACITY OF MASTER SCAUFFLAIRE8 min
- BOOK SEVENTH—THE CHAMPMATHIEU AFFAIR — CHAPTER III—A TEMPEST IN A SKULL36 min
- BOOK SEVENTH—THE CHAMPMATHIEU AFFAIR — CHAPTER IV—FORMS ASSUMED BY SUFFERING DURING SLEEP6 min
- BOOK SEVENTH—THE CHAMPMATHIEU AFFAIR — CHAPTER V—HINDRANCES19 min
- BOOK SEVENTH—THE CHAMPMATHIEU AFFAIR — CHAPTER VI—SISTER SIMPLICE PUT TO THE PROOF12 min
- BOOK SEVENTH—THE CHAMPMATHIEU AFFAIR — CHAPTER VII—THE TRAVELLER ON HIS ARRIVAL TAKES PRECAUTIONS FOR DEPARTURE8 min
- BOOK SEVENTH—THE CHAMPMATHIEU AFFAIR — CHAPTER VIII—AN ENTRANCE BY FAVOR6 min
- BOOK SEVENTH—THE CHAMPMATHIEU AFFAIR — CHAPTER IX—A PLACE WHERE CONVICTIONS ARE IN PROCESS OF FORMATION13 min
- BOOK SEVENTH—THE CHAMPMATHIEU AFFAIR — CHAPTER X—THE SYSTEM OF DENIALS13 min
- BOOK SEVENTH—THE CHAMPMATHIEU AFFAIR — CHAPTER XI—CHAMPMATHIEU MORE AND MORE ASTONISHED8 min
- BOOK EIGHTH—A COUNTER-BLOW — CHAPTER I—IN WHAT MIRROR M. MADELEINE CONTEMPLATES HIS HAIR5 min
- BOOK EIGHTH—A COUNTER-BLOW — CHAPTER II—FANTINE HAPPY7 min
- BOOK EIGHTH—A COUNTER-BLOW — CHAPTER III—JAVERT SATISFIED7 min
- BOOK EIGHTH—A COUNTER-BLOW — CHAPTER IV—AUTHORITY REASSERTS ITS RIGHTS7 min
- BOOK EIGHTH—A COUNTER-BLOW — CHAPTER V—A SUITABLE TOMB10 min
- BOOK FIRST—WATERLOO — CHAPTER I—WHAT IS MET WITH ON THE WAY FROM NIVELLES3 min
- BOOK FIRST—WATERLOO — CHAPTER II—HOUGOMONT13 min
- BOOK FIRST—WATERLOO — CHAPTER III—THE EIGHTEENTH OF JUNE, 18155 min
- BOOK FIRST—WATERLOO — CHAPTER IV—A4 min
- BOOK FIRST—WATERLOO — CHAPTER V—THE QUID OBSCURUM OF BATTLES6 min
- BOOK FIRST—WATERLOO — CHAPTER VI—FOUR O’CLOCK IN THE AFTERNOON5 min
- BOOK FIRST—WATERLOO — CHAPTER VII—NAPOLEON IN A GOOD HUMOR10 min
- BOOK FIRST—WATERLOO — CHAPTER VIII—THE EMPEROR PUTS A QUESTION TO THE GUIDE LACOSTE5 min
- BOOK FIRST—WATERLOO — CHAPTER IX—THE UNEXPECTED7 min
- BOOK FIRST—WATERLOO — CHAPTER X—THE PLATEAU OF MONT-SAINT-JEAN9 min
- BOOK FIRST—WATERLOO — CHAPTER XI—A BAD GUIDE TO NAPOLEON; A GOOD GUIDE TO BÜLOW3 min
- BOOK FIRST—WATERLOO — CHAPTER XII—THE GUARD3 min
- BOOK FIRST—WATERLOO — CHAPTER XIII—THE CATASTROPHE5 min
- BOOK FIRST—WATERLOO — CHAPTER XIV—THE LAST SQUARE2 min
- BOOK FIRST—WATERLOO — CHAPTER XV—CAMBRONNE4 min
- BOOK FIRST—WATERLOO — CHAPTER XVI—QUOT LIBRAS IN DUCE?9 min
- BOOK FIRST—WATERLOO — CHAPTER XVII—IS WATERLOO TO BE CONSIDERED GOOD?3 min
- BOOK FIRST—WATERLOO — CHAPTER XVIII—A RECRUDESCENCE OF DIVINE RIGHT5 min
- BOOK FIRST—WATERLOO — CHAPTER XIX—THE BATTLE-FIELD AT NIGHT11 min
- BOOK SECOND—THE SHIP ORION — CHAPTER I—NUMBER 24,601 BECOMES NUMBER 9,4305 min
- BOOK SECOND—THE SHIP ORION — CHAPTER II—IN WHICH THE READER WILL PERUSE TWO VERSES, WHICH ARE OF THE DEVIL’S COMPOSITION, POSSIBLY9 min
- BOOK SECOND—THE SHIP ORION — CHAPTER III—THE ANKLE-CHAIN MUST HAVE UNDERGONE A CERTAIN PREPARATORY MANIPULATION TO BE THUS BROKEN WITH A BLOW FROM A HAMMER15 min
- BOOK THIRD—ACCOMPLISHMENT OF THE PROMISE MADE TO THE DEAD WOMAN — CHAPTER I—THE WATER QUESTION AT MONTFERMEIL7 min
- BOOK THIRD—ACCOMPLISHMENT OF THE PROMISE MADE TO THE DEAD WOMAN — CHAPTER II—TWO COMPLETE PORTRAITS10 min
- BOOK THIRD—ACCOMPLISHMENT OF THE PROMISE MADE TO THE DEAD WOMAN — CHAPTER III—MEN MUST HAVE WINE, AND HORSES MUST HAVE WATER4 min
- BOOK THIRD—ACCOMPLISHMENT OF THE PROMISE MADE TO THE DEAD WOMAN — CHAPTER IV—ENTRANCE ON THE SCENE OF A DOLL3 min
- BOOK THIRD—ACCOMPLISHMENT OF THE PROMISE MADE TO THE DEAD WOMAN — CHAPTER V—THE LITTLE ONE ALL ALONE10 min
- BOOK THIRD—ACCOMPLISHMENT OF THE PROMISE MADE TO THE DEAD WOMAN — CHAPTER VI—WHICH POSSIBLY PROVES BOULATRUELLE’S INTELLIGENCE9 min
- BOOK THIRD—ACCOMPLISHMENT OF THE PROMISE MADE TO THE DEAD WOMAN — CHAPTER VII—COSETTE SIDE BY SIDE WITH THE STRANGER IN THE DARK4 min
- BOOK THIRD—ACCOMPLISHMENT OF THE PROMISE MADE TO THE DEAD WOMAN — CHAPTER VIII—THE UNPLEASANTNESS OF RECEIVING INTO ONE’S HOUSE A POOR MAN WHO MAY BE A RICH MAN29 min
- BOOK THIRD—ACCOMPLISHMENT OF THE PROMISE MADE TO THE DEAD WOMAN — CHAPTER IX— THÉNARDIER AND HIS MANŒUVRES13 min
- BOOK THIRD—ACCOMPLISHMENT OF THE PROMISE MADE TO THE DEAD WOMAN — CHAPTER X—HE WHO SEEKS TO BETTER HIMSELF MAY RENDER HIS SITUATION WORSE9 min
- BOOK THIRD—ACCOMPLISHMENT OF THE PROMISE MADE TO THE DEAD WOMAN — CHAPTER XI—NUMBER 9,430 REAPPEARS, AND COSETTE WINS IT IN THE LOTTERY3 min
- BOOK FOURTH—THE GORBEAU HOVEL — CHAPTER I—MASTER GORBEAU11 min
- BOOK FOURTH—THE GORBEAU HOVEL — CHAPTER II—A NEST FOR OWL AND A WARBLER3 min
- BOOK FOURTH—THE GORBEAU HOVEL — CHAPTER III—TWO MISFORTUNES MAKE ONE PIECE OF GOOD FORTUNE7 min
- BOOK FOURTH—THE GORBEAU HOVEL — CHAPTER IV—THE REMARKS OF THE PRINCIPAL TENANT4 min
- BOOK FOURTH—THE GORBEAU HOVEL — CHAPTER V—A FIVE-FRANC PIECE FALLS ON THE GROUND AND PRODUCES A TUMULT6 min
- BOOK FIFTH—FOR A BLACK HUNT, A MUTE PACK — CHAPTER I—THE ZIGZAGS OF STRATEGY7 min
- BOOK FIFTH—FOR A BLACK HUNT, A MUTE PACK — CHAPTER II—IT IS LUCKY THAT THE PONT D’AUSTERLITZ BEARS CARRIAGES3 min
- BOOK FIFTH—FOR A BLACK HUNT, A MUTE PACK — CHAPTER III—TO WIT, THE PLAN OF PARIS IN 17276 min
- BOOK FIFTH—FOR A BLACK HUNT, A MUTE PACK — CHAPTER IV—THE GROPINGS OF FLIGHT5 min
- BOOK FIFTH—FOR A BLACK HUNT, A MUTE PACK — CHAPTER V—WHICH WOULD BE IMPOSSIBLE WITH GAS LANTERNS7 min
- BOOK FIFTH—FOR A BLACK HUNT, A MUTE PACK — CHAPTER VI—THE BEGINNING OF AN ENIGMA5 min
- BOOK FIFTH—FOR A BLACK HUNT, A MUTE PACK — CHAPTER VII—CONTINUATION OF THE ENIGMA4 min
- BOOK FIFTH—FOR A BLACK HUNT, A MUTE PACK — CHAPTER VIII—THE ENIGMA BECOMES DOUBLY MYSTERIOUS4 min
- BOOK FIFTH—FOR A BLACK HUNT, A MUTE PACK — CHAPTER IX—THE MAN WITH THE BELL6 min
- BOOK FIFTH—FOR A BLACK HUNT, A MUTE PACK — CHAPTER X—WHICH EXPLAINS HOW JAVERT GOT ON THE SCENT16 min
- BOOK SIXTH—LE PETIT-PICPUS — CHAPTER I—NUMBER 62 RUE PETIT-PICPUS7 min
- BOOK SIXTH—LE PETIT-PICPUS — CHAPTER II—THE OBEDIENCE OF MARTIN VERGA12 min
- BOOK SIXTH—LE PETIT-PICPUS — CHAPTER III—AUSTERITIES3 min
- BOOK SIXTH—LE PETIT-PICPUS — CHAPTER IV—GAYETIES6 min
- BOOK SIXTH—LE PETIT-PICPUS — CHAPTER V—DISTRACTIONS10 min
- BOOK SIXTH—LE PETIT-PICPUS — CHAPTER VI—THE LITTLE CONVENT5 min
- BOOK SIXTH—LE PETIT-PICPUS — CHAPTER VII—SOME SILHOUETTES OF THIS DARKNESS4 min
- BOOK SIXTH—LE PETIT-PICPUS — CHAPTER VIII—POST CORDA LAPIDES3 min
- BOOK SIXTH—LE PETIT-PICPUS — CHAPTER IX—A CENTURY UNDER A GUIMPE4 min
- BOOK SIXTH—LE PETIT-PICPUS — CHAPTER X—ORIGIN OF THE PERPETUAL ADORATION3 min
- BOOK SIXTH—LE PETIT-PICPUS — CHAPTER XI—END OF THE PETIT-PICPUS3 min
- BOOK SEVENTH—PARENTHESIS — CHAPTER I—THE CONVENT AS AN ABSTRACT IDEA1 min
- BOOK SEVENTH—PARENTHESIS — CHAPTER II—THE CONVENT AS AN HISTORICAL FACT5 min
- BOOK SEVENTH—PARENTHESIS — CHAPTER III—ON WHAT CONDITIONS ONE CAN RESPECT THE PAST4 min
- BOOK SEVENTH—PARENTHESIS — CHAPTER IV—THE CONVENT FROM THE POINT OF VIEW OF PRINCIPLES3 min
- BOOK SEVENTH—PARENTHESIS — CHAPTER V—PRAYER2 min
- BOOK SEVENTH—PARENTHESIS — CHAPTER VI—THE ABSOLUTE GOODNESS OF PRAYER4 min
- BOOK SEVENTH—PARENTHESIS — CHAPTER VII—PRECAUTIONS TO BE OBSERVED IN BLAME2 min
- BOOK SEVENTH—PARENTHESIS — CHAPTER VIII—FAITH, LAW4 min
- BOOK EIGHTH—CEMETERIES TAKE THAT WHICH IS COMMITTED THEM — CHAPTER I—WHICH TREATS OF THE MANNER OF ENTERING A CONVENT14 min
- BOOK EIGHTH—CEMETERIES TAKE THAT WHICH IS COMMITTED THEM — CHAPTER II—FAUCHELEVENT IN THE PRESENCE OF A DIFFICULTY4 min
- BOOK EIGHTH—CEMETERIES TAKE THAT WHICH IS COMMITTED THEM — CHAPTER III—MOTHER INNOCENTE15 min
- BOOK EIGHTH—CEMETERIES TAKE THAT WHICH IS COMMITTED THEM — CHAPTER IV—IN WHICH JEAN VALJEAN HAS QUITE THE AIR OF HAVING READ AUSTIN CASTILLEJO10 min
- BOOK EIGHTH—CEMETERIES TAKE THAT WHICH IS COMMITTED THEM — CHAPTER V—IT IS NOT NECESSARY TO BE DRUNK IN ORDER TO BE IMMORTAL10 min
- BOOK EIGHTH—CEMETERIES TAKE THAT WHICH IS COMMITTED THEM — CHAPTER VI—BETWEEN FOUR PLANKS3 min
- BOOK EIGHTH—CEMETERIES TAKE THAT WHICH IS COMMITTED THEM — CHAPTER VII—IN WHICH WILL BE FOUND THE ORIGIN OF THE SAYING: DON’T LOSE THE CARD12 min
- BOOK EIGHTH—CEMETERIES TAKE THAT WHICH IS COMMITTED THEM — CHAPTER VIII—A SUCCESSFUL INTERROGATORY5 min
- BOOK EIGHTH—CEMETERIES TAKE THAT WHICH IS COMMITTED THEM — CHAPTER IX—CLOISTERED13 min
- BOOK FIRST—PARIS STUDIED IN ITS ATOM — CHAPTER I—PARVULUS2 min
- BOOK FIRST—PARIS STUDIED IN ITS ATOM — CHAPTER II—SOME OF HIS PARTICULAR CHARACTERISTICS3 min
- BOOK FIRST—PARIS STUDIED IN ITS ATOM — CHAPTER III—HE IS AGREEABLE2 min
- BOOK FIRST—PARIS STUDIED IN ITS ATOM — CHAPTER IV—HE MAY BE OF USE2 min
- BOOK FIRST—PARIS STUDIED IN ITS ATOM — CHAPTER V—HIS FRONTIERS4 min
- BOOK FIRST—PARIS STUDIED IN ITS ATOM — CHAPTER VI—A BIT OF HISTORY4 min
- BOOK FIRST—PARIS STUDIED IN ITS ATOM — CHAPTER VII—THE GAMIN SHOULD HAVE HIS PLACE IN THE CLASSIFICATIONS OF INDIA4 min
- BOOK FIRST—PARIS STUDIED IN ITS ATOM — CHAPTER VIII—IN WHICH THE READER WILL FIND A CHARMING SAYING OF THE LAST KING3 min
- BOOK FIRST—PARIS STUDIED IN ITS ATOM — CHAPTER IX—THE OLD SOUL OF GAUL2 min
- BOOK FIRST—PARIS STUDIED IN ITS ATOM — CHAPTER X—ECCE PARIS, ECCE HOMO5 min
- BOOK FIRST—PARIS STUDIED IN ITS ATOM — CHAPTER XI—TO SCOFF, TO REIGN4 min
- BOOK FIRST—PARIS STUDIED IN ITS ATOM — CHAPTER XII—THE FUTURE LATENT IN THE PEOPLE2 min
- BOOK FIRST—PARIS STUDIED IN ITS ATOM — CHAPTER XIII—LITTLE GAVROCHE5 min
- BOOK SECOND—THE GREAT BOURGEOIS — CHAPTER I—NINETY YEARS AND THIRTY-TWO TEETH4 min
- BOOK SECOND—THE GREAT BOURGEOIS — CHAPTER II—LIKE MASTER, LIKE HOUSE2 min
- BOOK SECOND—THE GREAT BOURGEOIS — CHAPTER III—LUC-ESPRIT2 min
- BOOK SECOND—THE GREAT BOURGEOIS — CHAPTER IV—A CENTENARIAN ASPIRANT2 min
- BOOK SECOND—THE GREAT BOURGEOIS — CHAPTER V—BASQUE AND NICOLETTE3 min
- BOOK SECOND—THE GREAT BOURGEOIS — CHAPTER VI—IN WHICH MAGNON AND HER TWO CHILDREN ARE SEEN4 min
- BOOK SECOND—THE GREAT BOURGEOIS — CHAPTER VII—RULE: RECEIVE NO ONE EXCEPT IN THE EVENING1 min
- BOOK SECOND—THE GREAT BOURGEOIS — CHAPTER VIII—TWO DO NOT MAKE A PAIR4 min
- BOOK THIRD—THE GRANDFATHER AND THE GRANDSON — CHAPTER I—AN ANCIENT SALON6 min
- BOOK THIRD—THE GRANDFATHER AND THE GRANDSON — CHAPTER II—ONE OF THE RED SPECTRES OF THAT EPOCH12 min
- BOOK THIRD—THE GRANDFATHER AND THE GRANDSON — CHAPTER III—REQUIESCANT14 min
- BOOK THIRD—THE GRANDFATHER AND THE GRANDSON — CHAPTER IV—END OF THE BRIGAND6 min
- BOOK THIRD—THE GRANDFATHER AND THE GRANDSON — CHAPTER V—THE UTILITY OF GOING TO MASS, IN ORDER TO BECOME A REVOLUTIONIST3 min
- BOOK THIRD—THE GRANDFATHER AND THE GRANDSON — CHAPTER VI—THE CONSEQUENCES OF HAVING MET A WARDEN12 min
- BOOK THIRD—THE GRANDFATHER AND THE GRANDSON — CHAPTER VII—SOME PETTICOAT8 min
- BOOK THIRD—THE GRANDFATHER AND THE GRANDSON — CHAPTER VIII—MARBLE AGAINST GRANITE9 min
- BOOK FOURTH—THE FRIENDS OF THE A B C — CHAPTER I—A GROUP WHICH BARELY MISSED BECOMING HISTORIC24 min
- BOOK FOURTH—THE FRIENDS OF THE A B C — CHAPTER II—BLONDEAU’S FUNERAL ORATION BY BOSSUET6 min
- BOOK FOURTH—THE FRIENDS OF THE A B C — CHAPTER III—MARIUS’ ASTONISHMENTS4 min
- BOOK FOURTH—THE FRIENDS OF THE A B C — CHAPTER IV—THE BACK ROOM OF THE CAFÉ MUSAIN13 min
- BOOK FOURTH—THE FRIENDS OF THE A B C — CHAPTER V—ENLARGEMENT OF HORIZON7 min
- BOOK FOURTH—THE FRIENDS OF THE A B C — CHAPTER VI—RES ANGUSTA4 min
- BOOK FIFTH—THE EXCELLENCE OF MISFORTUNE — CHAPTER I—MARIUS INDIGENT4 min
- BOOK FIFTH—THE EXCELLENCE OF MISFORTUNE — CHAPTER II—MARIUS POOR6 min
- BOOK FIFTH—THE EXCELLENCE OF MISFORTUNE — CHAPTER III—MARIUS GROWN UP9 min
- BOOK FIFTH—THE EXCELLENCE OF MISFORTUNE — CHAPTER IV—M. MABEUF8 min
- BOOK FIFTH—THE EXCELLENCE OF MISFORTUNE — CHAPTER V—POVERTY A GOOD NEIGHBOR FOR MISERY4 min
- BOOK FIFTH—THE EXCELLENCE OF MISFORTUNE — CHAPTER VI—THE SUBSTITUTE8 min
- BOOK SIXTH—THE CONJUNCTION OF TWO STARS — CHAPTER I—THE SOBRIQUET: MODE OF FORMATION OF FAMILY NAMES6 min
- BOOK SIXTH—THE CONJUNCTION OF TWO STARS — CHAPTER II—LUX FACTA EST4 min
- BOOK SIXTH—THE CONJUNCTION OF TWO STARS — CHAPTER III—EFFECT OF THE SPRING2 min
- BOOK SIXTH—THE CONJUNCTION OF TWO STARS — CHAPTER IV—BEGINNING OF A GREAT MALADY6 min
- BOOK SIXTH—THE CONJUNCTION OF TWO STARS — CHAPTER V—DIVERS CLAPS OF THUNDER FALL ON MA’AM BOUGON2 min
- BOOK SIXTH—THE CONJUNCTION OF TWO STARS — CHAPTER VI—TAKEN PRISONER5 min
- BOOK SIXTH—THE CONJUNCTION OF TWO STARS — CHAPTER VII—ADVENTURES OF THE LETTER U DELIVERED OVER TO CONJECTURES4 min
- BOOK SIXTH—THE CONJUNCTION OF TWO STARS — CHAPTER VIII—THE VETERANS THEMSELVES CAN BE HAPPY3 min
- BOOK SIXTH—THE CONJUNCTION OF TWO STARS — CHAPTER IX—ECLIPSE4 min
- BOOK SEVENTH—PATRON MINETTE — CHAPTER I—MINES AND MINERS4 min
- BOOK SEVENTH—PATRON MINETTE — CHAPTER II—THE LOWEST DEPTHS3 min
- BOOK SEVENTH—PATRON MINETTE — CHAPTER III—BABET, GUEULEMER, CLAQUESOUS, AND MONTPARNASSE5 min
- BOOK SEVENTH—PATRON MINETTE — CHAPTER IV—COMPOSITION OF THE TROUPE5 min
- BOOK EIGHTH—THE WICKED POOR MAN — CHAPTER I—MARIUS, WHILE SEEKING A GIRL IN A BONNET, ENCOUNTERS A MAN IN A CAP4 min
- BOOK EIGHTH—THE WICKED POOR MAN — CHAPTER II—TREASURE TROVE3 min
- BOOK EIGHTH—THE WICKED POOR MAN — CHAPTER III—QUADRIFRONS7 min
- BOOK EIGHTH—THE WICKED POOR MAN — CHAPTER IV—A ROSE IN MISERY12 min
- BOOK EIGHTH—THE WICKED POOR MAN — CHAPTER V—A PROVIDENTIAL PEEP-HOLE5 min
- BOOK EIGHTH—THE WICKED POOR MAN — CHAPTER VI—THE WILD MAN IN HIS LAIR8 min
- BOOK EIGHTH—THE WICKED POOR MAN — CHAPTER VII—STRATEGY AND TACTICS6 min
- BOOK EIGHTH—THE WICKED POOR MAN — CHAPTER VIII—THE RAY OF LIGHT IN THE HOVEL4 min
- BOOK EIGHTH—THE WICKED POOR MAN — CHAPTER IX—JONDRETTE COMES NEAR WEEPING7 min
- BOOK EIGHTH—THE WICKED POOR MAN — CHAPTER X—TARIFF OF LICENSED CABS: TWO FRANCS AN HOUR6 min
- BOOK EIGHTH—THE WICKED POOR MAN — CHAPTER XI—OFFERS OF SERVICE FROM MISERY TO WRETCHEDNESS5 min
- BOOK EIGHTH—THE WICKED POOR MAN — CHAPTER XII—THE USE MADE OF M. LEBLANC’S FIVE-FRANC PIECE8 min
- BOOK EIGHTH—THE WICKED POOR MAN — CHAPTER XIII—SOLUS CUM SOLO, IN LOCO REMOTO, NON COGITABUNTUR ORARE PATER NOSTER5 min
- BOOK EIGHTH—THE WICKED POOR MAN — CHAPTER XIV—IN WHICH A POLICE AGENT BESTOWS TWO FISTFULS ON A LAWYER6 min
- BOOK EIGHTH—THE WICKED POOR MAN — CHAPTER XV—JONDRETTE MAKES HIS PURCHASES4 min
- BOOK EIGHTH—THE WICKED POOR MAN — CHAPTER XVI—IN WHICH WILL BE FOUND THE WORDS TO AN ENGLISH AIR WHICH WAS IN FASHION IN 18326 min
- BOOK EIGHTH—THE WICKED POOR MAN — CHAPTER XVII—THE USE MADE OF MARIUS’ FIVE-FRANC PIECE7 min
- BOOK EIGHTH—THE WICKED POOR MAN — CHAPTER XVIII—MARIUS’ TWO CHAIRS FORM A VIS-A-VIS3 min
- BOOK EIGHTH—THE WICKED POOR MAN — CHAPTER XIX—OCCUPYING ONE’S SELF WITH OBSCURE DEPTHS8 min
- BOOK EIGHTH—THE WICKED POOR MAN — CHAPTER XX—THE TRAP43 min
- BOOK EIGHTH—THE WICKED POOR MAN — CHAPTER XXI—ONE SHOULD ALWAYS BEGIN BY ARRESTING THE VICTIMS6 min
- BOOK EIGHTH—THE WICKED POOR MAN — CHAPTER XXII—THE LITTLE ONE WHO WAS CRYING IN VOLUME TWO3 min
- VOLUME IV SAINT-DENIS — BOOK FIRST—A FEW PAGES OF HISTORY — CHAPTER I—WELL CUT10 min
- BOOK FIRST—A FEW PAGES OF HISTORY — CHAPTER II—BADLY SEWED6 min
- BOOK FIRST—A FEW PAGES OF HISTORY — CHAPTER III—LOUIS PHILIPPE13 min
- BOOK FIRST—A FEW PAGES OF HISTORY — CHAPTER IV—CRACKS BENEATH THE FOUNDATION12 min
- BOOK FIRST—A FEW PAGES OF HISTORY — CHAPTER V—FACTS WHENCE HISTORY SPRINGS AND WHICH HISTORY IGNORES18 min
- BOOK FIRST—A FEW PAGES OF HISTORY — CHAPTER VI—ENJOLRAS AND HIS LIEUTENANTS7 min
- BOOK SECOND—ÉPONINE — CHAPTER I—THE LARK’S MEADOW11 min
- BOOK SECOND—ÉPONINE — CHAPTER II—EMBRYONIC FORMATION OF CRIMES IN THE INCUBATION OF PRISONS8 min
- BOOK SECOND—ÉPONINE — CHAPTER III—APPARITION TO FATHER MABEUF7 min
- BOOK SECOND—ÉPONINE — CHAPTER IV—AN APPARITION TO MARIUS8 min
- BOOK THIRD—THE HOUSE IN THE RUE PLUMET — CHAPTER I—THE HOUSE WITH A SECRET9 min
- BOOK THIRD—THE HOUSE IN THE RUE PLUMET — CHAPTER II—JEAN VALJEAN AS A NATIONAL GUARD5 min
- BOOK THIRD—THE HOUSE IN THE RUE PLUMET — CHAPTER III—FOLIIS AC FRONDIBUS7 min
- BOOK THIRD—THE HOUSE IN THE RUE PLUMET — CHAPTER IV—CHANGE OF GATE9 min
- BOOK THIRD—THE HOUSE IN THE RUE PLUMET — CHAPTER V—THE ROSE PERCEIVES THAT IT IS AN ENGINE OF WAR8 min
- BOOK THIRD—THE HOUSE IN THE RUE PLUMET — CHAPTER VI—THE BATTLE BEGUN6 min
- BOOK THIRD—THE HOUSE IN THE RUE PLUMET — CHAPTER VII—TO ONE SADNESS OPPOSE A SADNESS AND A HALF10 min
- BOOK THIRD—THE HOUSE IN THE RUE PLUMET — CHAPTER VIII—THE CHAIN-GANG18 min
- BOOK FOURTH—SUCCOR FROM BELOW MAY TURN OUT TO BE SUCCOR FROM ON HIGH — CHAPTER I—A WOUND WITHOUT, HEALING WITHIN4 min
- BOOK FOURTH—SUCCOR FROM BELOW MAY TURN OUT TO BE SUCCOR FROM ON HIGH — CHAPTER II—MOTHER PLUTARQUE FINDS NO DIFFICULTY IN EXPLAINING A PHENOMENON14 min
- BOOK FIFTH—THE END OF WHICH DOES NOT RESEMBLE THE BEGINNING — CHAPTER I—SOLITUDE AND THE BARRACKS COMBINED3 min
- BOOK FIFTH—THE END OF WHICH DOES NOT RESEMBLE THE BEGINNING — CHAPTER II—COSETTE’S APPREHENSIONS6 min
- BOOK FIFTH—THE END OF WHICH DOES NOT RESEMBLE THE BEGINNING — CHAPTER III—ENRICHED WITH COMMENTARIES BY TOUSSAINT5 min
- BOOK FIFTH—THE END OF WHICH DOES NOT RESEMBLE THE BEGINNING — CHAPTER IV—A HEART BENEATH A STONE6 min
- BOOK FIFTH—THE END OF WHICH DOES NOT RESEMBLE THE BEGINNING — CHAPTER V—COSETTE AFTER THE LETTER5 min
- BOOK FIFTH—THE END OF WHICH DOES NOT RESEMBLE THE BEGINNING — CHAPTER VI—OLD PEOPLE ARE MADE TO GO OUT OPPORTUNELY6 min
- BOOK SIXTH—LITTLE GAVROCHE — CHAPTER I—THE MALICIOUS PLAYFULNESS OF THE WIND6 min
- BOOK SIXTH—LITTLE GAVROCHE — CHAPTER II—IN WHICH LITTLE GAVROCHE EXTRACTS PROFIT FROM NAPOLEON THE GREAT36 min
- BOOK SIXTH—LITTLE GAVROCHE — CHAPTER III—THE VICISSITUDES OF FLIGHT23 min
- BOOK SEVENTH—SLANG — CHAPTER I—ORIGIN13 min
- BOOK SEVENTH—SLANG — CHAPTER II—ROOTS15 min
- BOOK SEVENTH—SLANG — CHAPTER III—SLANG WHICH WEEPS AND SLANG WHICH LAUGHS8 min
- BOOK SEVENTH—SLANG — CHAPTER IV—THE TWO DUTIES: TO WATCH AND TO HOPE8 min
- BOOK EIGHTH—ENCHANTMENTS AND DESOLATIONS — CHAPTER I—FULL LIGHT10 min
- BOOK EIGHTH—ENCHANTMENTS AND DESOLATIONS — CHAPTER II—THE BEWILDERMENT OF PERFECT HAPPINESS4 min
- BOOK EIGHTH—ENCHANTMENTS AND DESOLATIONS — CHAPTER III—THE BEGINNING OF SHADOW6 min
- BOOK EIGHTH—ENCHANTMENTS AND DESOLATIONS — CHAPTER IV—A CAB RUNS IN ENGLISH AND BARKS IN SLANG12 min
- BOOK EIGHTH—ENCHANTMENTS AND DESOLATIONS — CHAPTER V—THINGS OF THE NIGHT2 min
- BOOK EIGHTH—ENCHANTMENTS AND DESOLATIONS — CHAPTER VI—MARIUS BECOMES PRACTICAL ONCE MORE TO THE EXTENT OF GIVING COSETTE HIS ADDRESS10 min
- BOOK EIGHTH—ENCHANTMENTS AND DESOLATIONS — CHAPTER VII—THE OLD HEART AND THE YOUNG HEART IN THE PRESENCE OF EACH OTHER21 min
- BOOK NINTH—WHITHER ARE THEY GOING? — CHAPTER I—JEAN VALJEAN3 min
- BOOK NINTH—WHITHER ARE THEY GOING? — CHAPTER II—MARIUS5 min
- BOOK NINTH—WHITHER ARE THEY GOING? — CHAPTER III—M. MABEUF7 min
- BOOK TENTH—THE 5TH OF JUNE, 1832 — CHAPTER I—THE SURFACE OF THE QUESTION6 min
- BOOK TENTH—THE 5TH OF JUNE, 1832 — CHAPTER II—THE ROOT OF THE MATTER11 min
- BOOK TENTH—THE 5TH OF JUNE, 1832 — CHAPTER III—A BURIAL; AN OCCASION TO BE BORN AGAIN10 min
- BOOK TENTH—THE 5TH OF JUNE, 1832 — CHAPTER IV—THE EBULLITIONS OF FORMER DAYS9 min
- BOOK TENTH—THE 5TH OF JUNE, 1832 — CHAPTER V—ORIGINALITY OF PARIS5 min
- BOOK ELEVENTH—THE ATOM FRATERNIZES WITH THE HURRICANE — CHAPTER I—SOME EXPLANATIONS WITH REGARD TO THE ORIGIN OF GAVROCHE’S POETRY. THE INFLUENCE OF AN ACADEMICIAN ON THIS POETRY4 min
- BOOK ELEVENTH—THE ATOM FRATERNIZES WITH THE HURRICANE — CHAPTER II—GAVROCHE ON THE MARCH6 min
- BOOK ELEVENTH—THE ATOM FRATERNIZES WITH THE HURRICANE — CHAPTER III—JUST INDIGNATION OF A HAIR-DRESSER3 min
- BOOK ELEVENTH—THE ATOM FRATERNIZES WITH THE HURRICANE — CHAPTER IV—THE CHILD IS AMAZED AT THE OLD MAN3 min
- BOOK ELEVENTH—THE ATOM FRATERNIZES WITH THE HURRICANE — CHAPTER V—THE OLD MAN3 min
- BOOK ELEVENTH—THE ATOM FRATERNIZES WITH THE HURRICANE — CHAPTER VI—RECRUITS3 min
- BOOK TWELFTH—CORINTHE — CHAPTER I—HISTORY OF CORINTHE FROM ITS FOUNDATION10 min
- BOOK TWELFTH—CORINTHE — CHAPTER II—PRELIMINARY GAYETIES17 min
- BOOK TWELFTH—CORINTHE — CHAPTER III—NIGHT BEGINS TO DESCEND UPON GRANTAIRE6 min
- BOOK TWELFTH—CORINTHE — CHAPTER IV—AN ATTEMPT TO CONSOLE THE WIDOW HUCHELOUP7 min
- BOOK TWELFTH—CORINTHE — CHAPTER V—PREPARATIONS4 min
- BOOK TWELFTH—CORINTHE — CHAPTER VI—WAITING4 min
- BOOK TWELFTH—CORINTHE — CHAPTER VII—THE MAN RECRUITED IN THE RUE DES BILLETTES6 min
- BOOK TWELFTH—CORINTHE — CHAPTER VIII—MANY INTERROGATION POINTS WITH REGARD TO A CERTAIN LE CABUC WHOSE NAME MAY NOT HAVE BEEN LE CABUC8 min
- BOOK THIRTEENTH—MARIUS ENTERS THE SHADOW — CHAPTER I—FROM THE RUE PLUMET TO THE QUARTIER SAINT-DENIS5 min
- BOOK THIRTEENTH—MARIUS ENTERS THE SHADOW — CHAPTER II—AN OWL’S VIEW OF PARIS5 min
- BOOK THIRTEENTH—MARIUS ENTERS THE SHADOW — CHAPTER III—THE EXTREME EDGE11 min
- BOOK FOURTEENTH—THE GRANDEURS OF DESPAIR — CHAPTER I—THE FLAG: ACT FIRST5 min
- BOOK FOURTEENTH—THE GRANDEURS OF DESPAIR — CHAPTER II—THE FLAG: ACT SECOND5 min
- BOOK FOURTEENTH—THE GRANDEURS OF DESPAIR — CHAPTER III—GAVROCHE WOULD HAVE DONE BETTER TO ACCEPT ENJOLRAS’ CARBINE2 min
- BOOK FOURTEENTH—THE GRANDEURS OF DESPAIR — CHAPTER IV—THE BARREL OF POWDER5 min
- BOOK FOURTEENTH—THE GRANDEURS OF DESPAIR — CHAPTER V—END OF THE VERSES OF JEAN PROUVAIRE3 min
- BOOK FOURTEENTH—THE GRANDEURS OF DESPAIR — CHAPTER VI—THE AGONY OF DEATH AFTER THE AGONY OF LIFE7 min
- BOOK FOURTEENTH—THE GRANDEURS OF DESPAIR — CHAPTER VII—GAVROCHE AS A PROFOUND CALCULATOR OF DISTANCES7 min
- BOOK FIFTEENTH—THE RUE DE L’HOMME ARMÉ — CHAPTER I—A DRINKER IS A BABBLER16 min
- BOOK FIFTEENTH—THE RUE DE L’HOMME ARMÉ — CHAPTER II—THE STREET URCHIN AN ENEMY OF LIGHT7 min
- BOOK FIFTEENTH—THE RUE DE L’HOMME ARMÉ — CHAPTER III—WHILE COSETTE AND TOUSSAINT ARE ASLEEP3 min
- BOOK FIFTEENTH—THE RUE DE L’HOMME ARMÉ — CHAPTER IV—GAVROCHE’S EXCESS OF ZEAL8 min
- BOOK FIRST—THE WAR BETWEEN FOUR WALLS — CHAPTER I—THE CHARYBDIS OF THE FAUBOURG SAINT ANTOINE AND THE SCYLLA OF THE FAUBOURG DU TEMPLE13 min
- BOOK FIRST—THE WAR BETWEEN FOUR WALLS — CHAPTER II—WHAT IS TO BE DONE IN THE ABYSS IF ONE DOES NOT CONVERSE7 min
- BOOK FIRST—THE WAR BETWEEN FOUR WALLS — CHAPTER III—LIGHT AND SHADOW3 min
- BOOK FIRST—THE WAR BETWEEN FOUR WALLS — CHAPTER IV—MINUS FIVE, PLUS ONE11 min
- BOOK FIRST—THE WAR BETWEEN FOUR WALLS — CHAPTER V—THE HORIZON WHICH ONE BEHOLDS FROM THE SUMMIT OF A BARRICADE8 min
- BOOK FIRST—THE WAR BETWEEN FOUR WALLS — CHAPTER VI—MARIUS HAGGARD, JAVERT LACONIC4 min
- BOOK FIRST—THE WAR BETWEEN FOUR WALLS — CHAPTER VII—THE SITUATION BECOMES AGGRAVATED7 min
- BOOK FIRST—THE WAR BETWEEN FOUR WALLS — CHAPTER VIII—THE ARTILLERY-MEN COMPEL PEOPLE TO TAKE THEM SERIOUSLY5 min
- BOOK FIRST—THE WAR BETWEEN FOUR WALLS — CHAPTER IX—EMPLOYMENT OF THE OLD TALENTS OF A POACHER AND THAT INFALLIBLE MARKSMANSHIP WHICH INFLUENCED THE CONDEMNATION OF 17963 min
- BOOK FIRST—THE WAR BETWEEN FOUR WALLS — CHAPTER X—DAWN7 min
- BOOK FIRST—THE WAR BETWEEN FOUR WALLS — CHAPTER XI—THE SHOT WHICH MISSES NOTHING AND KILLS NO ONE2 min
- BOOK FIRST—THE WAR BETWEEN FOUR WALLS — CHAPTER XII—DISORDER A PARTISAN OF ORDER6 min
- BOOK FIRST—THE WAR BETWEEN FOUR WALLS — CHAPTER XIII—PASSING GLEAMS4 min
- BOOK FIRST—THE WAR BETWEEN FOUR WALLS — CHAPTER XIV—WHEREIN WILL APPEAR THE NAME OF ENJOLRAS’ MISTRESS4 min
- BOOK FIRST—THE WAR BETWEEN FOUR WALLS — CHAPTER XV—GAVROCHE OUTSIDE5 min
- BOOK FIRST—THE WAR BETWEEN FOUR WALLS — CHAPTER XVI—HOW FROM A BROTHER ONE BECOMES A FATHER15 min
- BOOK FIRST—THE WAR BETWEEN FOUR WALLS — CHAPTER XVII—MORTUUS PATER FILIUM MORITURUM EXPECTAT3 min
- BOOK FIRST—THE WAR BETWEEN FOUR WALLS — CHAPTER XVIII—THE VULTURE BECOME PREY6 min
- BOOK FIRST—THE WAR BETWEEN FOUR WALLS — CHAPTER XIX—JEAN VALJEAN TAKES HIS REVENGE4 min
- BOOK FIRST—THE WAR BETWEEN FOUR WALLS — CHAPTER XX—THE DEAD ARE IN THE RIGHT AND THE LIVING ARE NOT IN THE WRONG16 min
- BOOK FIRST—THE WAR BETWEEN FOUR WALLS — CHAPTER XXI—THE HEROES8 min
- BOOK FIRST—THE WAR BETWEEN FOUR WALLS — CHAPTER XXII—FOOT TO FOOT7 min
- BOOK FIRST—THE WAR BETWEEN FOUR WALLS — CHAPTER XXIII—ORESTES FASTING AND PYLADES DRUNK6 min
- BOOK FIRST—THE WAR BETWEEN FOUR WALLS — CHAPTER XXIV—PRISONER5 min
- BOOK SECOND—THE INTESTINE OF THE LEVIATHAN — CHAPTER I—THE LAND IMPOVERISHED BY THE SEA7 min
- BOOK SECOND—THE INTESTINE OF THE LEVIATHAN — CHAPTER II—ANCIENT HISTORY OF THE SEWER6 min
- BOOK SECOND—THE INTESTINE OF THE LEVIATHAN — CHAPTER III—BRUNESEAU6 min
- BOOK SECOND—THE INTESTINE OF THE LEVIATHAN — CHAPTER IV7 min
- BOOK SECOND—THE INTESTINE OF THE LEVIATHAN — CHAPTER V—PRESENT PROGRESS3 min
- BOOK SECOND—THE INTESTINE OF THE LEVIATHAN — CHAPTER VI—FUTURE PROGRESS9 min
- BOOK THIRD—MUD BUT THE SOUL — CHAPTER I—THE SEWER AND ITS SURPRISES12 min
- BOOK THIRD—MUD BUT THE SOUL — CHAPTER II—EXPLANATION4 min
- BOOK THIRD—MUD BUT THE SOUL — CHAPTER III—THE “SPUN” MAN8 min
- BOOK THIRD—MUD BUT THE SOUL — CHAPTER IV—HE ALSO BEARS HIS CROSS7 min
- BOOK THIRD—MUD BUT THE SOUL — CHAPTER V—IN THE CASE OF SAND AS IN THAT OF WOMAN, THERE IS A FINENESS WHICH IS TREACHEROUS9 min
- BOOK THIRD—MUD BUT THE SOUL — CHAPTER VI—THE FONTIS4 min
- BOOK THIRD—MUD BUT THE SOUL — CHAPTER VII—ONE SOMETIMES RUNS AGROUND WHEN ONE FANCIES THAT ONE IS DISEMBARKING5 min
- BOOK THIRD—MUD BUT THE SOUL — CHAPTER VIII—THE TORN COAT-TAIL9 min
- BOOK THIRD—MUD BUT THE SOUL — CHAPTER IX—MARIUS PRODUCES ON SOME ONE WHO IS A JUDGE OF THE MATTER, THE EFFECT OF BEING DEAD8 min
- BOOK THIRD—MUD BUT THE SOUL — CHAPTER X—RETURN OF THE SON WHO WAS PRODIGAL OF HIS LIFE3 min
- BOOK THIRD—MUD BUT THE SOUL — CHAPTER XI—CONCUSSION IN THE ABSOLUTE3 min
- BOOK THIRD—MUD BUT THE SOUL — CHAPTER XII—THE GRANDFATHER11 min
- BOOK FOURTH—JAVERT DERAILED — CHAPTER I22 min
- BOOK FIFTH—GRANDSON AND GRANDFATHER — CHAPTER I—IN WHICH THE TREE WITH THE ZINC PLASTER APPEARS AGAIN6 min
- BOOK FIFTH—GRANDSON AND GRANDFATHER — CHAPTER II—MARIUS, EMERGING FROM CIVIL WAR, MAKES READY FOR DOMESTIC WAR9 min
- BOOK FIFTH—GRANDSON AND GRANDFATHER — CHAPTER III—MARIUS ATTACKED6 min
- BOOK FIFTH—GRANDSON AND GRANDFATHER — CHAPTER IV—MADEMOISELLE GILLENORMAND ENDS BY NO LONGER THINKING IT A BAD THING THAT M. FAUCHELEVENT SHOULD HAVE ENTERED WITH SOMETHING UNDER HIS ARM9 min
- BOOK FIFTH—GRANDSON AND GRANDFATHER — CHAPTER V—DEPOSIT YOUR MONEY IN A FOREST RATHER THAN WITH A NOTARY3 min
- BOOK FIFTH—GRANDSON AND GRANDFATHER — CHAPTER VI—THE TWO OLD MEN DO EVERYTHING, EACH ONE AFTER HIS OWN FASHION, TO RENDER COSETTE HAPPY15 min
- BOOK FIFTH—GRANDSON AND GRANDFATHER — CHAPTER VII—THE EFFECTS OF DREAMS MINGLED WITH HAPPINESS5 min
- BOOK FIFTH—GRANDSON AND GRANDFATHER — CHAPTER VIII—TWO MEN IMPOSSIBLE TO FIND8 min
- BOOK SIXTH—THE SLEEPLESS NIGHT — CHAPTER I—THE 16TH OF FEBRUARY, 183315 min
- BOOK SIXTH—THE SLEEPLESS NIGHT — CHAPTER II—JEAN VALJEAN STILL WEARS HIS ARM IN A SLING17 min
- BOOK SIXTH—THE SLEEPLESS NIGHT — CHAPTER III—THE INSEPARABLE5 min
- BOOK SIXTH—THE SLEEPLESS NIGHT — CHAPTER IV—THE IMMORTAL LIVER 688 min
- BOOK SEVENTH—THE LAST DRAUGHT FROM THE CUP — CHAPTER I—THE SEVENTH CIRCLE AND THE EIGHTH HEAVEN32 min
- BOOK SEVENTH—THE LAST DRAUGHT FROM THE CUP — CHAPTER II—THE OBSCURITIES WHICH A REVELATION CAN CONTAIN15 min
- BOOK EIGHTH—FADING AWAY OF THE TWILIGHT — CHAPTER I—THE LOWER CHAMBER8 min
- BOOK EIGHTH—FADING AWAY OF THE TWILIGHT — CHAPTER II—ANOTHER STEP BACKWARDS5 min
- BOOK EIGHTH—FADING AWAY OF THE TWILIGHT — CHAPTER III—THEY RECALL THE GARDEN OF THE RUE PLUMET8 min
- BOOK EIGHTH—FADING AWAY OF THE TWILIGHT — CHAPTER IV—ATTRACTION AND EXTINCTION4 min
- BOOK NINTH—SUPREME SHADOW, SUPREME DAWN — CHAPTER I—PITY FOR THE UNHAPPY, BUT INDULGENCE FOR THE HAPPY4 min
- BOOK NINTH—SUPREME SHADOW, SUPREME DAWN — CHAPTER II—LAST FLICKERINGS OF A LAMP WITHOUT OIL3 min
- BOOK NINTH—SUPREME SHADOW, SUPREME DAWN — CHAPTER III—A PEN IS HEAVY TO THE MAN WHO LIFTED THE FAUCHELEVENT’S CART6 min
- BOOK NINTH—SUPREME SHADOW, SUPREME DAWN — CHAPTER IV—A BOTTLE OF INK WHICH ONLY SUCCEEDED IN WHITENING32 min
- BOOK NINTH—SUPREME SHADOW, SUPREME DAWN — CHAPTER V—A NIGHT BEHIND WHICH THERE IS DAY18 min
- BOOK NINTH—SUPREME SHADOW, SUPREME DAWN — CHAPTER VI—THE GRASS COVERS AND THE RAIN EFFACES2 min
- BOOK NINTH—SUPREME SHADOW, SUPREME DAWN — LETTER TO M. DAELLI6 min
- BOOK NINTH—SUPREME SHADOW, SUPREME DAWN — FOOTNOTES:9 min
Les Miserables · Victor Hugo
BOOK SEVENTH—THE LAST DRAUGHT FROM THE CUP — CHAPTER I—THE SEVENTH CIRCLE AND THE EIGHTH HEAVEN
Read online · About 32 minutesThe days that follow weddings are solitary. People respect the meditations of the happy pair. And also, their tardy slumbers, to some degree. The tumult of visits and congratulations only begins later on. On the morning of the 17th of February, it was a little past midday when Basque, with napkin and feather-duster under his arm, busy in setting his antechamber to rights, heard a light tap at the door. There had been no ring, which was discreet on such a day. Basque opened the door, and beheld M. Fauchelevent. He introduced him into the drawing-room, still encumbered and topsy-turvy, and which bore the air of a field of battle after the joys of the preceding evening.
“Dame, sir,” remarked Basque, “we all woke up late.”
“Is your master up?” asked Jean Valjean.
“How is Monsieur’s arm?” replied Basque.
“Better. Is your master up?”
“Which one? the old one or the new one?”
“Monsieur Pontmercy.”
“Monsieur le Baron,” said Basque, drawing himself up.
A man is a Baron most of all to his servants. He counts for something with them; they are what a philosopher would call, bespattered with the title, and that flatters them. Marius, be it said in passing, a militant republican as he had proved, was now a Baron in spite of himself. A small revolution had taken place in the family in connection with this title. It was now M. Gillenormand who clung to it, and Marius who detached himself from it. But Colonel Pontmercy had written: “My son will bear my title.” Marius obeyed. And then, Cosette, in whom the woman was beginning to dawn, was delighted to be a Baroness.
“Monsieur le Baron?” repeated Basque. “I will go and see. I will tell him that M. Fauchelevent is here.”
“No. Do not tell him that it is I. Tell him that some one wishes to speak to him in private, and mention no name.”
“Ah!” ejaculated Basque.
“I wish to surprise him.”
“Ah!” ejaculated Basque once more, emitting his second “ah!” as an explanation of the first.
And he left the room.
Jean Valjean remained alone.
The drawing-room, as we have just said, was in great disorder. It seemed as though, by lending an ear, one might still hear the vague noise of the wedding. On the polished floor lay all sorts of flowers which had fallen from garlands and head-dresses. The wax candles, burned to stumps, added stalactites of wax to the crystal drops of the chandeliers. Not a single piece of furniture was in its place. In the corners, three or four armchairs, drawn close together in a circle, had the appearance of continuing a conversation. The whole effect was cheerful. A certain grace still lingers round a dead feast. It has been a happy thing. On the chairs in disarray, among those fading flowers, beneath those extinct lights, people have thought of joy. The sun had succeeded to the chandelier, and made its way gayly into the drawing-room.
Several minutes elapsed. Jean Valjean stood motionless on the spot where Basque had left him. He was very pale. His eyes were hollow, and so sunken in his head by sleeplessness that they nearly disappeared in their orbits. His black coat bore the weary folds of a garment that has been up all night. The elbows were whitened with the down which the friction of cloth against linen leaves behind it.
Jean Valjean stared at the window outlined on the polished floor at his feet by the sun.
There came a sound at the door, and he raised his eyes.
Marius entered, his head well up, his mouth smiling, an indescribable light on his countenance, his brow expanded, his eyes triumphant. He had not slept either.
“It is you, father!” he exclaimed, on catching sight of Jean Valjean; “that idiot of a Basque had such a mysterious air! But you have come too early. It is only half past twelve. Cosette is asleep.”
That word: “Father,” said to M. Fauchelevent by Marius, signified: supreme felicity. There had always existed, as the reader knows, a lofty wall, a coldness and a constraint between them; ice which must be broken or melted. Marius had reached that point of intoxication when the wall was lowered, when the ice dissolved, and when M. Fauchelevent was to him, as to Cosette, a father.
He continued: his words poured forth, as is the peculiarity of divine paroxysms of joy.
“How glad I am to see you! If you only knew how we missed you yesterday! Good morning, father. How is your hand? Better, is it not?”
And, satisfied with the favorable reply which he had made to himself, he pursued:
“We have both been talking about you. Cosette loves you so dearly! You must not forget that you have a chamber here, We want nothing more to do with the Rue de l’Homme Armé. We will have no more of it at all. How could you go to live in a street like that, which is sickly, which is disagreeable, which is ugly, which has a barrier at one end, where one is cold, and into which one cannot enter? You are to come and install yourself here. And this very day. Or you will have to deal with Cosette. She means to lead us all by the nose, I warn you. You have your own chamber here, it is close to ours, it opens on the garden; the trouble with the clock has been attended to, the bed is made, it is all ready, you have only to take possession of it. Near your bed Cosette has placed a huge, old, easy-chair covered with Utrecht velvet and she has said to it: ‘Stretch out your arms to him.’ A nightingale comes to the clump of acacias opposite your windows, every spring. In two months more you will have it. You will have its nest on your left and ours on your right. By night it will sing, and by day Cosette will prattle. Your chamber faces due South. Cosette will arrange your books for you, your Voyages of Captain Cook and the other,—Vancouver’s and all your affairs. I believe that there is a little valise to which you are attached, I have fixed upon a corner of honor for that. You have conquered my grandfather, you suit him. We will live together. Do you play whist? you will overwhelm my grandfather with delight if you play whist. It is you who shall take Cosette to walk on the days when I am at the courts, you shall give her your arm, you know, as you used to, in the Luxembourg. We are absolutely resolved to be happy. And you shall be included in it, in our happiness, do you hear, father? Come, will you breakfast with us to-day?”
“Sir,” said Jean Valjean, “I have something to say to you. I am an ex-convict.”
The limit of shrill sounds perceptible can be overleaped, as well in the case of the mind as in that of the ear. These words: “I am an ex-convict,” proceeding from the mouth of M. Fauchelevent and entering the ear of Marius overshot the possible. It seemed to him that something had just been said to him; but he did not know what. He stood with his mouth wide open.
Then he perceived that the man who was addressing him was frightful. Wholly absorbed in his own dazzled state, he had not, up to that moment, observed the other man’s terrible pallor.
Jean Valjean untied the black cravat which supported his right arm, unrolled the linen from around his hand, bared his thumb and showed it to Marius.
“There is nothing the matter with my hand,” said he.
Marius looked at the thumb.
“There has not been anything the matter with it,” went on Jean Valjean.
There was, in fact, no trace of any injury.
Jean Valjean continued:
“It was fitting that I should be absent from your marriage. I absented myself as much as was in my power. So I invented this injury in order that I might not commit a forgery, that I might not introduce a flaw into the marriage documents, in order that I might escape from signing.”
Marius stammered.
“What is the meaning of this?”
“The meaning of it is,” replied Jean Valjean, “that I have been in the galleys.”
“You are driving me mad!” exclaimed Marius in terror.
“Monsieur Pontmercy,” said Jean Valjean, “I was nineteen years in the galleys. For theft. Then, I was condemned for life for theft, for a second offence. At the present moment, I have broken my ban.”
In vain did Marius recoil before the reality, refuse the fact, resist the evidence, he was forced to give way. He began to understand, and, as always happens in such cases, he understood too much. An inward shudder of hideous enlightenment flashed through him; an idea which made him quiver traversed his mind. He caught a glimpse of a wretched destiny for himself in the future.
“Say all, say all!” he cried. “You are Cosette’s father!”
And he retreated a couple of paces with a movement of indescribable horror.
Jean Valjean elevated his head with so much majesty of attitude that he seemed to grow even to the ceiling.
“It is necessary that you should believe me here, sir; although our oath to others may not be received in law . . .”
Here he paused, then, with a sort of sovereign and sepulchral authority, he added, articulating slowly, and emphasizing the syllables:
“. . . You will believe me. I the father of Cosette! before God, no. Monsieur le Baron Pontmercy, I am a peasant of Faverolles. I earned my living by pruning trees. My name is not Fauchelevent, but Jean Valjean. I am not related to Cosette. Reassure yourself.”
Marius stammered:
“Who will prove that to me?”
“I. Since I tell you so.”
Marius looked at the man. He was melancholy yet tranquil. No lie could proceed from such a calm. That which is icy is sincere. The truth could be felt in that chill of the tomb.
“I believe you,” said Marius.
Jean Valjean bent his head, as though taking note of this, and continued:
“What am I to Cosette? A passer-by. Ten years ago, I did not know that she was in existence. I love her, it is true. One loves a child whom one has seen when very young, being old oneself. When one is old, one feels oneself a grandfather towards all little children. You may, it seems to me, suppose that I have something which resembles a heart. She was an orphan. Without either father or mother. She needed me. That is why I began to love her. Children are so weak that the first comer, even a man like me, can become their protector. I have fulfilled this duty towards Cosette. I do not think that so slight a thing can be called a good action; but if it be a good action, well, say that I have done it. Register this attenuating circumstance. To-day, Cosette passes out of my life; our two roads part. Henceforth, I can do nothing for her. She is Madame Pontmercy. Her providence has changed. And Cosette gains by the change. All is well. As for the six hundred thousand francs, you do not mention them to me, but I forestall your thought, they are a deposit. How did that deposit come into my hands? What does that matter? I restore the deposit. Nothing more can be demanded of me. I complete the restitution by announcing my true name. That concerns me. I have a reason for desiring that you should know who I am.”
And Jean Valjean looked Marius full in the face.
All that Marius experienced was tumultuous and incoherent. Certain gusts of destiny produce these billows in our souls.
We have all undergone moments of trouble in which everything within us is dispersed; we say the first things that occur to us, which are not always precisely those which should be said. There are sudden revelations which one cannot bear, and which intoxicate like baleful wine. Marius was stupefied by the novel situation which presented itself to him, to the point of addressing that man almost like a person who was angry with him for this avowal.
“But why,” he exclaimed, “do you tell me all this? Who forces you to do so? You could have kept your secret to yourself. You are neither denounced, nor tracked nor pursued. You have a reason for wantonly making such a revelation. Conclude. There is something more. In what connection do you make this confession? What is your motive?”
“My motive?” replied Jean Valjean in a voice so low and dull that one would have said that he was talking to himself rather than to Marius. “From what motive, in fact, has this convict just said ‘I am a convict’? Well, yes! the motive is strange. It is out of honesty. Stay, the unfortunate point is that I have a thread in my heart, which keeps me fast. It is when one is old that that sort of thread is particularly solid. All life falls in ruin around one; one resists. Had I been able to tear out that thread, to break it, to undo the knot or to cut it, to go far away, I should have been safe. I had only to go away; there are diligences in the Rue Bouloy; you are happy; I am going. I have tried to break that thread, I have jerked at it, it would not break, I tore my heart with it. Then I said: ‘I cannot live anywhere else than here.’ I must stay. Well, yes, you are right, I am a fool, why not simply remain here? You offer me a chamber in this house, Madame Pontmercy is sincerely attached to me, she said to the armchair: ‘Stretch out your arms to him,’ your grandfather demands nothing better than to have me, I suit him, we shall live together, and take our meals in common, I shall give Cosette my arm . . . Madame Pontmercy, excuse me, it is a habit, we shall have but one roof, one table, one fire, the same chimney-corner in winter, the same promenade in summer, that is joy, that is happiness, that is everything. We shall live as one family. One family!”
At that word, Jean Valjean became wild. He folded his arms, glared at the floor beneath his feet as though he would have excavated an abyss therein, and his voice suddenly rose in thundering tones:
“As one family! No. I belong to no family. I do not belong to yours. I do not belong to any family of men. In houses where people are among themselves, I am superfluous. There are families, but there is nothing of the sort for me. I am an unlucky wretch; I am left outside. Did I have a father and mother? I almost doubt it. On the day when I gave that child in marriage, all came to an end. I have seen her happy, and that she is with a man whom she loves, and that there exists here a kind old man, a household of two angels, and all joys in that house, and that it was well, I said to myself: ‘Enter thou not.’ I could have lied, it is true, have deceived you all, and remained Monsieur Fauchelevent. So long as it was for her, I could lie; but now it would be for myself, and I must not. It was sufficient for me to hold my peace, it is true, and all would go on. You ask me what has forced me to speak? a very odd thing; my conscience. To hold my peace was very easy, however. I passed the night in trying to persuade myself to it; you questioned me, and what I have just said to you is so extraordinary that you have the right to do it; well, yes, I have passed the night in alleging reasons to myself, and I gave myself very good reasons, I have done what I could. But there are two things in which I have not succeeded; in breaking the thread that holds me fixed, riveted and sealed here by the heart, or in silencing some one who speaks softly to me when I am alone. That is why I have come hither to tell you everything this morning. Everything or nearly everything. It is useless to tell you that which concerns only myself; I keep that to myself. You know the essential points. So I have taken my mystery and have brought it to you. And I have disembowelled my secret before your eyes. It was not a resolution that was easy to take. I struggled all night long. Ah! you think that I did not tell myself that this was no Champmathieu affair, that by concealing my name I was doing no one any injury, that the name of Fauchelevent had been given to me by Fauchelevent himself, out of gratitude for a service rendered to him, and that I might assuredly keep it, and that I should be happy in that chamber which you offer me, that I should not be in any one’s way, that I should be in my own little corner, and that, while you would have Cosette, I should have the idea that I was in the same house with her. Each one of us would have had his share of happiness. If I continued to be Monsieur Fauchelevent, that would arrange everything. Yes, with the exception of my soul. There was joy everywhere upon my surface, but the bottom of my soul remained black. It is not enough to be happy, one must be content. Thus I should have remained Monsieur Fauchelevent, thus I should have concealed my true visage, thus, in the presence of your expansion, I should have had an enigma, thus, in the midst of your full noonday, I should have had shadows, thus, without crying ‘’ware,’ I should have simply introduced the galleys to your fireside, I should have taken my seat at your table with the thought that if you knew who I was, you would drive me from it, I should have allowed myself to be served by domestics who, had they known, would have said: ‘How horrible!’ I should have touched you with my elbow, which you have a right to dislike, I should have filched your clasps of the hand! There would have existed in your house a division of respect between venerable white locks and tainted white locks; at your most intimate hours, when all hearts thought themselves open to the very bottom to all the rest, when we four were together, your grandfather, you two and myself, a stranger would have been present! I should have been side by side with you in your existence, having for my only care not to disarrange the cover of my dreadful pit. Thus, I, a dead man, should have thrust myself upon you who are living beings. I should have condemned her to myself forever. You and Cosette and I would have had all three of our heads in the green cap! Does it not make you shudder? I am only the most crushed of men; I should have been the most monstrous of men. And I should have committed that crime every day! And I should have had that face of night upon my visage every day! every day! And I should have communicated to you a share in my taint every day! every day! to you, my dearly beloved, my children, to you, my innocent creatures! Is it nothing to hold one’s peace? is it a simple matter to keep silence? No, it is not simple. There is a silence which lies. And my lie, and my fraud and my indignity, and my cowardice and my treason and my crime, I should have drained drop by drop, I should have spit it out, then swallowed it again, I should have finished at midnight and have begun again at midday, and my ‘good morning’ would have lied, and my ‘good night’ would have lied, and I should have slept on it, I should have eaten it, with my bread, and I should have looked Cosette in the face, and I should have responded to the smile of the angel by the smile of the damned soul, and I should have been an abominable villain! Why should I do it? in order to be happy. In order to be happy. Have I the right to be happy? I stand outside of life, sir.”
Jean Valjean paused. Marius listened. Such chains of ideas and of anguishes cannot be interrupted. Jean Valjean lowered his voice once more, but it was no longer a dull voice—it was a sinister voice.
“You ask why I speak? I am neither denounced, nor pursued, nor tracked, you say. Yes! I am denounced! yes! I am tracked! By whom? By myself. It is I who bar the passage to myself, and I drag myself, and I push myself, and I arrest myself, and I execute myself, and when one holds oneself, one is firmly held.”
And, seizing a handful of his own coat by the nape of the neck and extending it towards Marius:
“Do you see that fist?” he continued. “Don’t you think that it holds that collar in such a wise as not to release it? Well! conscience is another grasp! If one desires to be happy, sir, one must never understand duty; for, as soon as one has comprehended it, it is implacable. One would say that it punished you for comprehending it; but no, it rewards you; for it places you in a hell, where you feel God beside you. One has no sooner lacerated his own entrails than he is at peace with himself.”
And, with a poignant accent, he added:
“Monsieur Pontmercy, this is not common sense, I am an honest man. It is by degrading myself in your eyes that I elevate myself in my own. This has happened to me once before, but it was less painful then; it was a mere nothing. Yes, an honest man. I should not be so if, through my fault, you had continued to esteem me; now that you despise me, I am so. I have that fatality hanging over me that, not being able to ever have anything but stolen consideration, that consideration humiliates me, and crushes me inwardly, and, in order that I may respect myself, it is necessary that I should be despised. Then I straighten up again. I am a galley-slave who obeys his conscience. I know well that that is most improbable. But what would you have me do about it? it is the fact. I have entered into engagements with myself; I keep them. There are encounters which bind us, there are chances which involve us in duties. You see, Monsieur Pontmercy, various things have happened to me in the course of my life.”
Again Jean Valjean paused, swallowing his saliva with an effort, as though his words had a bitter after-taste, and then he went on:
“When one has such a horror hanging over one, one has not the right to make others share it without their knowledge, one has not the right to make them slip over one’s own precipice without their perceiving it, one has not the right to let one’s red blouse drag upon them, one has no right to slyly encumber with one’s misery the happiness of others. It is hideous to approach those who are healthy, and to touch them in the dark with one’s ulcer. In spite of the fact that Fauchelevent lent me his name, I have no right to use it; he could give it to me, but I could not take it. A name is an I. You see, sir, that I have thought somewhat, I have read a little, although I am a peasant; and you see that I express myself properly. I understand things. I have procured myself an education. Well, yes, to abstract a name and to place oneself under it is dishonest. Letters of the alphabet can be filched, like a purse or a watch. To be a false signature in flesh and blood, to be a living false key, to enter the house of honest people by picking their lock, never more to look straightforward, to forever eye askance, to be infamous within the I, no! no! no! no! no! It is better to suffer, to bleed, to weep, to tear one’s skin from the flesh with one’s nails, to pass nights writhing in anguish, to devour oneself body and soul. That is why I have just told you all this. Wantonly, as you say.”
He drew a painful breath, and hurled this final word:
“In days gone by, I stole a loaf of bread in order to live; to-day, in order to live, I will not steal a name.”
“To live!” interrupted Marius. “You do not need that name in order to live?”
“Ah! I understand the matter,” said Jean Valjean, raising and lowering his head several times in succession.
A silence ensued. Both held their peace, each plunged in a gulf of thoughts. Marius was sitting near a table and resting the corner of his mouth on one of his fingers, which was folded back. Jean Valjean was pacing to and fro. He paused before a mirror, and remained motionless. Then, as though replying to some inward course of reasoning, he said, as he gazed at the mirror, which he did not see:
“While, at present, I am relieved.”
He took up his march again, and walked to the other end of the drawing-room. At the moment when he turned round, he perceived that Marius was watching his walk. Then he said, with an inexpressible intonation:
“I drag my leg a little. Now you understand why!”
Then he turned fully round towards Marius:
“And now, sir, imagine this: I have said nothing, I have remained Monsieur Fauchelevent, I have taken my place in your house, I am one of you, I am in my chamber, I come to breakfast in the morning in slippers, in the evening all three of us go to the play, I accompany Madame Pontmercy to the Tuileries, and to the Place Royale, we are together, you think me your equal; one fine day you are there, and I am there, we are conversing, we are laughing; all at once, you hear a voice shouting this name: ‘Jean Valjean!’ and behold, that terrible hand, the police, darts from the darkness, and abruptly tears off my mask!”
Again he paused; Marius had sprung to his feet with a shudder. Jean Valjean resumed:
“What do you say to that?”
Marius’ silence answered for him.
Jean Valjean continued:
“You see that I am right in not holding my peace. Be happy, be in heaven, be the angel of an angel, exist in the sun, be content therewith, and do not trouble yourself about the means which a poor damned wretch takes to open his breast and force his duty to come forth; you have before you, sir, a wretched man.”
Marius slowly crossed the room, and, when he was quite close to Jean Valjean, he offered the latter his hand.
But Marius was obliged to step up and take that hand which was not offered, Jean Valjean let him have his own way, and it seemed to Marius that he pressed a hand of marble.
“My grandfather has friends,” said Marius; “I will procure your pardon.”
“It is useless,” replied Jean Valjean. “I am believed to be dead, and that suffices. The dead are not subjected to surveillance. They are supposed to rot in peace. Death is the same thing as pardon.”
And, disengaging the hand which Marius held, he added, with a sort of inexorable dignity:
“Moreover, the friend to whom I have recourse is the doing of my duty; and I need but one pardon, that of my conscience.”
At that moment, a door at the other end of the drawing-room opened gently half way, and in the opening Cosette’s head appeared. They saw only her sweet face, her hair was in charming disorder, her eyelids were still swollen with sleep. She made the movement of a bird, which thrusts its head out of its nest, glanced first at her husband, then at Jean Valjean, and cried to them with a smile, so that they seemed to behold a smile at the heart of a rose:
“I will wager that you are talking politics. How stupid that is, instead of being with me!”
Jean Valjean shuddered.
“Cosette! . . .” stammered Marius.
And he paused. One would have said that they were two criminals.
Cosette, who was radiant, continued to gaze at both of them. There was something in her eyes like gleams of paradise.
“I have caught you in the very act,” said Cosette. “Just now, I heard my father Fauchelevent through the door saying: ‘Conscience . . . doing my duty . . .’ That is politics, indeed it is. I will not have it. People should not talk politics the very next day. It is not right.”
“You are mistaken. Cosette,” said Marius, “we are talking business. We are discussing the best investment of your six hundred thousand francs . . .”
“That is not it at all,” interrupted Cosette. “I am coming. Does anybody want me here?”
And, passing resolutely through the door, she entered the drawing-room. She was dressed in a voluminous white dressing-gown, with a thousand folds and large sleeves which, starting from the neck, fell to her feet. In the golden heavens of some ancient gothic pictures, there are these charming sacks fit to clothe the angels.
She contemplated herself from head to foot in a long mirror, then exclaimed, in an outburst of ineffable ecstasy:
“There was once a King and a Queen. Oh! how happy I am!”
That said, she made a curtsey to Marius and to Jean Valjean.
“There,” said she, “I am going to install myself near you in an easy-chair, we breakfast in half an hour, you shall say anything you like, I know well that men must talk, and I will be very good.”
Marius took her by the arm and said lovingly to her:
“We are talking business.”
“By the way,” said Cosette, “I have opened my window, a flock of pierrots has arrived in the garden,—Birds, not maskers. To-day is Ash-Wednesday; but not for the birds.”
“I tell you that we are talking business, go, my little Cosette, leave us alone for a moment. We are talking figures. That will bore you.”
“You have a charming cravat on this morning, Marius. You are very dandified, monseigneur. No, it will not bore me.”
“I assure you that it will bore you.”
“No. Since it is you. I shall not understand you, but I shall listen to you. When one hears the voices of those whom one loves, one does not need to understand the words that they utter. That we should be here together—that is all that I desire. I shall remain with you, bah!”
“You are my beloved Cosette! Impossible.”
“Impossible!”
“Yes.”
“Very good,” said Cosette. “I was going to tell you some news. I could have told you that your grandfather is still asleep, that your aunt is at mass, that the chimney in my father Fauchelevent’s room smokes, that Nicolette has sent for the chimney-sweep, that Toussaint and Nicolette have already quarrelled, that Nicolette makes sport of Toussaint’s stammer. Well, you shall know nothing. Ah! it is impossible? you shall see, gentlemen, that I, in my turn, can say: It is impossible. Then who will be caught? I beseech you, my little Marius, let me stay here with you two.”
“I swear to you, that it is indispensable that we should be alone.”
“Well, am I anybody?”
Jean Valjean had not uttered a single word. Cosette turned to him:
“In the first place, father, I want you to come and embrace me. What do you mean by not saying anything instead of taking my part? who gave me such a father as that? You must perceive that my family life is very unhappy. My husband beats me. Come, embrace me instantly.”
Jean Valjean approached.
Cosette turned toward Marius.
“As for you, I shall make a face at you.”
Then she presented her brow to Jean Valjean.
Jean Valjean advanced a step toward her.
Cosette recoiled.
“Father, you are pale. Does your arm hurt you?”
“It is well,” said Jean Valjean.
“Did you sleep badly?”
“No.”
“Are you sad?”
“No.”
“Embrace me if you are well, if you sleep well, if you are content, I will not scold you.”
And again she offered him her brow.
Jean Valjean dropped a kiss upon that brow whereon rested a celestial gleam.
“Smile.”
Jean Valjean obeyed. It was the smile of a spectre.
“Now, defend me against my husband.”
“Cosette! . . .” ejaculated Marius.
“Get angry, father. Say that I must stay. You can certainly talk before me. So you think me very silly. What you say is astonishing! business, placing money in a bank a great matter truly. Men make mysteries out of nothing. I am very pretty this morning. Look at me, Marius.”
And with an adorable shrug of the shoulders, and an indescribably exquisite pout, she glanced at Marius.
“I love you!” said Marius.
“I adore you!” said Cosette.
And they fell irresistibly into each other’s arms.
“Now,” said Cosette, adjusting a fold of her dressing-gown, with a triumphant little grimace, “I shall stay.”
“No, not that,” said Marius, in a supplicating tone. “We have to finish something.”
“Still no?”
Marius assumed a grave tone:
“I assure you, Cosette, that it is impossible.”
“Ah! you put on your man’s voice, sir. That is well, I go. You, father, have not upheld me. Monsieur my father, monsieur my husband, you are tyrants. I shall go and tell grandpapa. If you think that I am going to return and talk platitudes to you, you are mistaken. I am proud. I shall wait for you now. You shall see, that it is you who are going to be bored without me. I am going, it is well.”
And she left the room.
Two seconds later, the door opened once more, her fresh and rosy head was again thrust between the two leaves, and she cried to them:
“I am very angry indeed.”
The door closed again, and the shadows descended once more.
It was as though a ray of sunlight should have suddenly traversed the night, without itself being conscious of it.
Marius made sure that the door was securely closed.
“Poor Cosette!” he murmured, “when she finds out . . .”
At that word Jean Valjean trembled in every limb. He fixed on Marius a bewildered eye.
“Cosette! oh yes, it is true, you are going to tell Cosette about this. That is right. Stay, I had not thought of that. One has the strength for one thing, but not for another. Sir, I conjure you, I entreat now, sir, give me your most sacred word of honor, that you will not tell her. Is it not enough that you should know it? I have been able to say it myself without being forced to it, I could have told it to the universe, to the whole world,—it was all one to me. But she, she does not know what it is, it would terrify her. What, a convict! we should be obliged to explain matters to her, to say to her: ‘He is a man who has been in the galleys.’ She saw the chain-gang pass by one day. Oh! My God!” . . . He dropped into an armchair and hid his face in his hands.
His grief was not audible, but from the quivering of his shoulders it was evident that he was weeping. Silent tears, terrible tears.
There is something of suffocation in the sob. He was seized with a sort of convulsion, he threw himself against the back of the chair as though to gain breath, letting his arms fall, and allowing Marius to see his face inundated with tears, and Marius heard him murmur, so low that his voice seemed to issue from fathomless depths:
“Oh! would that I could die!”
“Be at your ease,” said Marius, “I will keep your secret for myself alone.”
And, less touched, perhaps, than he ought to have been, but forced, for the last hour, to familiarize himself with something as unexpected as it was dreadful, gradually beholding the convict superposed before his very eyes, upon M. Fauchelevent, overcome, little by little, by that lugubrious reality, and led, by the natural inclination of the situation, to recognize the space which had just been placed between that man and himself, Marius added:
“It is impossible that I should not speak a word to you with regard to the deposit which you have so faithfully and honestly remitted. That is an act of probity. It is just that some recompense should be bestowed on you. Fix the sum yourself, it shall be counted out to you. Do not fear to set it very high.”
“I thank you, sir,” replied Jean Valjean, gently.
He remained in thought for a moment, mechanically passing the tip of his fore-finger across his thumb-nail, then he lifted up his voice:
“All is nearly over. But one last thing remains for me . . .”
“What is it?”
Jean Valjean struggled with what seemed a last hesitation, and, without voice, without breath, he stammered rather than said:
“Now that you know, do you think, sir, you, who are the master, that I ought not to see Cosette any more?”
“I think that would be better,” replied Marius coldly.
“I shall never see her more,” murmured Jean Valjean. And he directed his steps towards the door.
He laid his hand on the knob, the latch yielded, the door opened. Jean Valjean pushed it open far enough to pass through, stood motionless for a second, then closed the door again and turned to Marius.
He was no longer pale, he was livid. There were no longer any tears in his eyes, but only a sort of tragic flame. His voice had regained a strange composure.
“Stay, sir,” he said. “If you will allow it, I will come to see her. I assure you that I desire it greatly. If I had not cared to see Cosette, I should not have made to you the confession that I have made, I should have gone away; but, as I desired to remain in the place where Cosette is, and to continue to see her, I had to tell you about it honestly. You follow my reasoning, do you not? it is a matter easily understood. You see, I have had her with me for more than nine years. We lived first in that hut on the boulevard, then in the convent, then near the Luxembourg. That was where you saw her for the first time. You remember her blue plush hat. Then we went to the Quartier des Invalides, where there was a railing on a garden, the Rue Plumet. I lived in a little back court-yard, whence I could hear her piano. That was my life. We never left each other. That lasted for nine years and some months. I was like her own father, and she was my child. I do not know whether you understand, Monsieur Pontmercy, but to go away now, never to see her again, never to speak to her again, to no longer have anything, would be hard. If you do not disapprove of it, I will come to see Cosette from time to time. I will not come often. I will not remain long. You shall give orders that I am to be received in the little waiting-room. On the ground floor. I could enter perfectly well by the back door, but that might create surprise perhaps, and it would be better, I think, for me to enter by the usual door. Truly, sir, I should like to see a little more of Cosette. As rarely as you please. Put yourself in my place, I have nothing left but that. And then, we must be cautious. If I no longer come at all, it would produce a bad effect, it would be considered singular. What I can do, by the way, is to come in the afternoon, when night is beginning to fall.”
“You shall come every evening,” said Marius, “and Cosette will be waiting for you.”
“You are kind, sir,” said Jean Valjean.
Marius saluted Jean Valjean, happiness escorted despair to the door, and these two men parted.