Contents · 58 sections
- CHAPTER I. DESCRIPTION OF FARMER OAK—AN INCIDENT10 min
- CHAPTER II. NIGHT—THE FLOCK—AN INTERIOR—ANOTHER INTERIOR13 min
- CHAPTER III. A GIRL ON HORSEBACK—CONVERSATION13 min
- CHAPTER IV. GABRIEL’S RESOLVE—THE VISIT—THE MISTAKE15 min
- CHAPTER V. DEPARTURE OF BATHSHEBA—A PASTORAL TRAGEDY9 min
- CHAPTER VI. THE FAIR—THE JOURNEY—THE FIRE16 min
- CHAPTER VII. RECOGNITION—A TIMID GIRL6 min
- CHAPTER VIII. THE MALTHOUSE—THE CHAT—NEWS32 min
- CHAPTER IX. THE HOMESTEAD—A VISITOR—HALF CONFIDENCES9 min
- CHAPTER X. MISTRESS AND MEN9 min
- CHAPTER XI. MELCHESTER MOOR—SNOW—A MEETING8 min
- CHAPTER XII. FARMERS—A RULE—AN EXCEPTION8 min
- CHAPTER XIII. SORTES SANCTORUM—THE VALENTINE6 min
- “ M ARRY ME . ”1 min
- CHAPTER XIV. EFFECT OF THE LETTER—SUNRISE7 min
- CHAPTER XV. A MORNING MEETING—THE LETTER AGAIN17 min
- CHAPTER XVI. ALL SAINTS’ AND ALL SOULS’5 min
- CHAPTER XVII. IN THE MARKET-PLACE4 min
- CHAPTER XVIII. BOLDWOOD IN MEDITATION—A VISIT8 min
- CHAPTER XIX. THE SHEEP-WASHING—THE OFFER10 min
- CHAPTER XX. PERPLEXITY—GRINDING THE SHEARS—A QUARREL10 min
- CHAPTER XXI. TROUBLES IN THE FOLD—A MESSAGE10 min
- CHAPTER XXII. THE GREAT BARN AND THE SHEEP-SHEARERS17 min
- CHAPTER XXIII. EVENTIDE—A SECOND DECLARATION11 min
- CHAPTER XXIV. THE SAME NIGHT—THE FIR PLANTATION10 min
- CHAPTER XXV. THE NEW ACQUAINTANCE DESCRIBED6 min
- CHAPTER XXVI. SCENE ON THE VERGE OF THE HAY-MEAD15 min
- CHAPTER XXVII. HIVING THE BEES5 min
- CHAPTER XXVIII. THE HOLLOW AMID THE FERNS9 min
- CHAPTER XXIX. PARTICULARS OF A TWILIGHT WALK12 min
- CHAPTER XXX. HOT CHEEKS AND TEARFUL EYES8 min
- CHAPTER I. BLAME—FURY15 min
- CHAPTER II. NIGHT—HORSES TRAMPING13 min
- CHAPTER III. IN THE SUN—A HARBINGER13 min
- CHAPTER IV. HOME AGAIN—A JUGGLER15 min
- CHAPTER V. AT AN UPPER WINDOW6 min
- CHAPTER VI. WEALTH IN JEOPARDY—THE REVEL14 min
- CHAPTER VII. THE STORM—THE TWO TOGETHER12 min
- CHAPTER VIII. RAIN—ONE SOLITARY MEETS ANOTHER6 min
- CHAPTER IX. COMING HOME—A CRY7 min
- CHAPTER X. ON CASTERBRIDGE HIGHWAY11 min
- CHAPTER XI. SUSPICION—FANNY IS SENT FOR17 min
- CHAPTER XII. JOSEPH AND HIS BURDEN—BUCK’S HEAD19 min
- CHAPTER XIII. FANNY’S REVENGE17 min
- CHAPTER XIV. UNDER A TREE—REACTION12 min
- CHAPTER XV. TROY’S ROMANTICISM8 min
- CHAPTER XVI. THE GURGOYLE: ITS DOINGS13 min
- CHAPTER XVII. ADVENTURES BY THE SHORE5 min
- CHAPTER XVIII. DOUBTS ARISE—DOUBTS VANISH9 min
- CHAPTER XIX. OAK’S ADVANCEMENT—A GREAT HOPE9 min
- CHAPTER XX. THE SHEEP FAIR—TROY TOUCHES HIS WIFE’S HAND25 min
- CHAPTER XXI. BATHSHEBA TALKS WITH HER OUTRIDER14 min
- CHAPTER XXII. CONVERGING COURSES18 min
- CHAPTER XXIII. CONCURRITUR—HORÆ MOMENTO18 min
- CHAPTER XXIV. AFTER THE SHOCK7 min
- CHAPTER XXV. THE MARCH FOLLOWING—“BATHSHEBA BOLDWOOD”8 min
- CHAPTER XXVI. BEAUTY IN LONELINESS—AFTER ALL15 min
- CHAPTER XXVII. A FOGGY NIGHT AND MORNING—CONCLUSION9 min
Far from the Madding Crowd · Thomas Hardy
CHAPTER XVII. IN THE MARKET-PLACE
Read online · About 4 minutesOn Saturday Boldwood was in the market-house as usual, when the disturber of his dreams entered, and became visible to him. Adam had awakened from his deep sleep, and behold! there was Eve. The farmer took courage, and for the first time really looked at her.
Emotional causes and effects are not to be arranged in regular equation. The result from capital employed in the production of any movement of a mental nature is sometimes as tremendous as the cause itself is absurdly minute. When women are in a freakish mood, their usual intuition, either from carelessness or inherent defect, seemingly fails to teach them this, and hence it was that Bathsheba was fated to be astonished to-day.
Boldwood looked at her—not slily, critically, or understandingly, but blankly at gaze, in the way a reaper looks up at a passing train—as something foreign to his element, and but dimly understood. To Boldwood women had been remote phenomena rather than necessary complements—comets of such uncertain aspect, movement, and permanence, that whether their orbits were as geometrical, unchangeable, and as subject to laws as his own, or as absolutely erratic as they superficially appeared, he had not deemed it his duty to consider.
He saw her black hair, her correct facial curves and profile, and the roundness of her chin and throat. He saw then the side of her eyelids, eyes, and lashes, and the shape of her ear. Next he noticed her figure, her skirt, and the very soles of her shoes.
Boldwood thought her beautiful, but wondered whether he was right in his thought, for it seemed impossible that this romance in the flesh, if so sweet as he imagined, could have been going on long without creating a commotion of delight among men, and provoking more inquiry than Bathsheba had done, even though that was not a little. To the best of his judgment neither nature nor art could improve this perfect one of an imperfect many. His heart began to move within him. Boldwood, it must be remembered, though forty years of age, had never before inspected a woman with the very centre and force of his glance; they had struck upon all his senses at wide angles.
Was she really beautiful? He could not assure himself that his opinion was true even now. He furtively said to a neighbour, “Is Miss Everdene considered handsome?”
“Oh, yes; she was a good deal noticed the first time she came, if you remember. A very handsome girl indeed.”
A man is never more credulous than in receiving favourable opinions on the beauty of a woman he is half, or quite, in love with; a mere child’s word on the point has the weight of an R.A.’s. Boldwood was satisfied now.
And this charming woman had in effect said to him, “Marry me.” Why should she have done that strange thing? Boldwood’s blindness to the difference between approving of what circumstances suggest, and originating what they do not suggest, was well matched by Bathsheba’s insensibility to the possibly great issues of little beginnings.
She was at this moment coolly dealing with a dashing young farmer, adding up accounts with him as indifferently as if his face had been the pages of a ledger. It was evident that such a nature as his had no attraction for a woman of Bathsheba’s taste. But Boldwood grew hot down to his hands with an incipient jealousy; he trod for the first time the threshold of “the injured lover’s hell.” His first impulse was to go and thrust himself between them. This could be done, but only in one way—by asking to see a sample of her corn. Boldwood renounced the idea. He could not make the request; it was debasing loveliness to ask it to buy and sell, and jarred with his conceptions of her.
All this time Bathsheba was conscious of having broken into that dignified stronghold at last. His eyes, she knew, were following her everywhere. This was a triumph; and had it come naturally, such a triumph would have been the sweeter to her for this piquing delay. But it had been brought about by misdirected ingenuity, and she valued it only as she valued an artificial flower or a wax fruit.
Being a woman with some good sense in reasoning on subjects wherein her heart was not involved, Bathsheba genuinely repented that a freak which had owed its existence as much to Liddy as to herself, should ever have been undertaken, to disturb the placidity of a man she respected too highly to deliberately tease.
She that day nearly formed the intention of begging his pardon on the very next occasion of their meeting. The worst features of this arrangement were that, if he thought she ridiculed him, an apology would increase the offence by being disbelieved; and if he thought she wanted him, it would read like additional evidence of her forwardness.